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John Baldessari Bernard Boutet de Monvel Stephen Chambers Christo and Jeanne-Claude Anthony Gross Robert Indiana Edward Kienholz Richard McLean Astrid Meyer Pablo Picasso Robert Ryman Frank Stella André Verdet Jacques Villon Alison Watt Terry Winters Larry Zox Alberto Magnelli
Art FairsMulder Online Artists John Baldessari Bernard Boutet de Monvel Stephen Chambers Christo and Jeanne-Claude Anthony Gross Robert Indiana Edward Kienholz Richard McLean Astrid Meyer Pablo Picasso Robert Ryman Frank Stella André Verdet Jacques Villon Alison Watt Terry Winters Larry Zox Alberto Magnelli
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Jacques Villon

  Jacques Villon (1875-1963)     La Parisienne, tournée à droite  (première planche)   Etching, softground etching and colour aquatint, 1902 Ginestet et Pouillon E 074  Our impression is similar to Ginestet and Pouillon's definitive state.     Proven
  Jacques Villon (1875-1963)     La Parisienne, tournée à droite  (première planche)   Etching, softground etching and colour aquatint, 1902 Ginestet et Pouillon E 074  Our impression is similar to Ginestet and Pouillon's definitive state.     Proven

Jacques Villon (1875-1963)

La Parisienne, tournée à droite (première planche)

Etching, softground etching and colour aquatint, 1902
Ginestet et Pouillon E 074

Our impression is similar to Ginestet and Pouillon's definitive state.

Provenance

Louis Carré (1897-1977), by descent. Louis Carré, who had galleries in both New York and Paris, was Villon's dealer for many years.

Notes

'La Parisienne' is a pivotal work in Villon's career as it departs from the nineteenth century Belle Epoque toward a more modern, twentieth century aesthetic.

The sitter for La Parisienne was Yvonne Rever-chon Bon, the sister of the artist Jacques Bon. Yvonne married the brother of Villon in 1903, shortly after Villon began to work on La Parisienne.

Image size : 46.2 x 34 cm (18.2 x 13.4 in)
Sheet size : 64 x 48.9 cm (25.2 x 19.25 in)

£2,800

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  Jacques Villon (1875-1963)     La Parisienne, tournée à droite  (première planche)   Etching, softground etching and colour aquatint, 1902 Ginestet et Pouillon E 074  Our impression is similar to Ginestet and Pouillon's definitive state.     Proven
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