http://www.frederickmulder.com/master-iam-of-zwolle daily 0.75 2015-06-16 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1434470197036-727IRHWG9JL9JQECL48L/zwolle.jpg Master I.A.M. of Zwolle https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1434470271599-74KAAJ88YWD0038TSRTL/zwolle.jpg Master I.A.M. of Zwolle - Master IAM of Zwolle, 'The Adoration of the Magi' Master I.A.M. of Zwolle (c. 1440 - 1504) The Adoration of the Magi Engraving, 1490 Hollstein 1; Lehrs VII.1 This impression of the Master's most beautiful and important composition is one of only 24 known to Lehrs. In his catalogue, Lehrs records this particular example as 'Matt und restauriert' (matt and restored), but considers only seven impressions as good, of which just three have survived in good condition (Berlin, Dresden and Vienna). It is hence extremely rare for this subject to come to the market. Image Size : 35.4 x 24.1cm (13.9 x 9.5in) Price on Application   http://www.frederickmulder.com/wayne-thiebaud daily 0.75 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1453119123474-PMHN79RYO6X53SYED1HU/image-asset.jpeg Wayne Thiebaud - Thiebaud 'Candy Counter' Wayne Thiebaud (born 1920) Candy Counter, from Seven Still Lifes and a Rabbit Portfolio Linocut printed in black, 1970 A proof before the edition of 50. 'Candy Counter' is part of a portfolio of eight prints, 'Seven Still Lifes and a Rabbit' that was published in an edition of 50 by Parasol Press of New York. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. Image Size : 47 x 63.5cm (18.5 x 25in) Sheet Size : 56.5 x 76cm (22.2 x 29.9in) £4,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1453119123474-PMHN79RYO6X53SYED1HU/image-asset.jpeg Wayne Thiebaud - Thiebaud 'Candy Counter' Wayne Thiebaud (born 1920) Candy Counter, from Seven Still Lifes and a Rabbit Portfolio Linocut printed in black, 1970 A proof before the edition of 50. 'Candy Counter' is part of a portfolio of eight prints, 'Seven Still Lifes and a Rabbit' that was published in an edition of 50 by Parasol Press of New York. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. Image Size : 47 x 63.5cm (18.5 x 25in) Sheet Size : 56.5 x 76cm (22.2 x 29.9in) £4,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1453119524148-ACVVNHQEMKEXOHKACWJ2/thiebaud-13050.jpg Wayne Thiebaud - Thiebaud 'Sandwich' Wayne Thiebaud (born 1920) Sandwich, from Seven Still Lifes and a Rabbit Portfolio Linocut printed in colours, 1970 A working proof printed before the edition of 50. 'Sandwich' is part of a portfolio of eight prints, 'Seven Still Lifes and a Rabbit' that was published in an edition of 50 by Parasol Press of New York. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. Image Size : 14.4 x 17cm (5.7 x 6.7in) Sheet Size : 50.6 x 66cm (19.9 x 26in) £1,150 http://www.frederickmulder.com/andre-verdet daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1653288373452-1XI6YWSK0J6N1WQWXUL6/F+12977-3+cropped.jpg André Verdet https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515074267607-6MQHLHN5WJDK11J3R2LF/F+13282.jpg André Verdet André Verdet (1913-2004) Composition Linocut printed in colours, 1963 Signed and dedicated in blue biro. An impression printed in black, blue and aqua from outside the signed and numbered edition of 50. Printed by Imprimerie Arnéra. Note Verdet's linocuts and wider work in various media often portray figures from mythology or from classic literature. Image size: 32.2 x 24.3 cm (12.7 x 9.6 in) Sheet size: 59.8 x 38 cm (23.5 x 15 in) £200 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515074392680-510HEHCBPJ4BZSOVNDWP/F+12977-4.jpg André Verdet André Verdet (1913-2004) Cosmogonie (Untitled) Various media, 1964-65 Signed and dated in pencil. An interesting set of four sheets showing the development and realisation of this linocut subject. This set is comprised of a signed and dedicated painting of the subject, two working proofs of the linocut and an impression of the final state of the linocut subject. The last piece is a linocut printed in colours An impression printed in black, blue and light blue from outside the signed and numbered edition of 100. Watermark: Rives Note André Verdet was a creator. His creative input has spanned astronomy, the literary world, poetry, the visual arts and music, all inspired by the region of Provence, love, friendship and life. He was born in 1913 in Nice and in 1918 his family moved to Saint-Paul de Vence, where he would pass away in 2004. In 1937, the year Verdet published his first poems, he met Jean Giono, the bard of the Provence region and in 1941, Jacques Prévert, the French surrealist poet. Both encouraged Verdet to pursue poetry. In 1944, the Commandant Duroc, alias André Verdet, was arrested by the Gestapo alongside Robert Desnos, who formed with Louis Aragon and Paul Éluard the literary vanguard of Surrealism. Verdet and Desnos were deported to Auschwitz and Buchenwald. Repatriated in 1945, Verdet published his Anthology of Poems from Buchenwald upon his return to France. In 1949 he went back to Saint-Paul de Vence, where he settled definitively. It was in 1951 when Pablo Picasso encouraged him to take up painting and sculpture, which he embraced. In the 1950s he became the friend and confident of many other artists such as Matisse, Chagall, Hartung and Léger. Fine art books and a great many essays on painting would come out of these encounters. Image size: 50 x 37 cm (19.69 x 14.57 in) Sheet size: 51 x 38 cm (20.08 x 14.96 in) £700 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1444219313238-YZYAOCA1SJZDL755F36P/verdet-13799.jpg André Verdet André Verdet (1913-2004) Nadine (Abstract Composition) Linocut and photogravure, 1967 Signed and dated in ink. An impression with the image printed on the left and a poem by Verdet titled 'Nadine' on the right. The black form and the text has been created using a photogravure. The colours of the image were added using a linoblock. This is a composition that the artist experimented with many times using the same two shades of blues and the black form in the centre. The black can be read as the central subject or as negative space. Note Bernadette Wilde, better known by her artist name Nadine Vivier, became André Verdet's lifelong companion from 1965 until his death in 2004. An artist in her own right, Nadine inspired Verdet's most beautiful love poems, which he often dedicated to her. She began her own artistic practise in 1971 and in the early 90s undertook a series of works called 'Oiseaux de Lune' (Moon Bird). Verdet referred to her as Nadine Vivier of the birds. Image size: 50 x 33 cm (19.7 x 13 in) Sheet size: 51.8 x 66.9 cm (20.4 x 26.3 in) £400 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651840025920-9MOT0XK8YMZV5VC2DIJD/F%2B13305.jpg André Verdet André Verdet (1913-2004) Pomone Linocut printed in colours, 1972 Signed, dated and titled 'Pomone', in pencil. An impression printed in black, lilac, yellow and purple on Arches from the signed and numbered edition of 175 on Arches. Printed by Imprimerie Arnéra. Watermark: Arches France Note This subject depicts Pomona the ancient Roman goddess of fruitful abundance. The goddess 'Pomone' is also the title of the first French opera, written by Robert Cambert. The partially surviving opera traces the unrequited love of Vertumnus, who attempts to get a kiss from Pomone through various disguises, eventually disguising himself as Beroé, Pomone's old nurse.This disguise succeeds as he knows Pomone would not deny a kiss for her old nurse. This subject is most likely depicting a scene from the opera, as the composition appears to have two figures and an emphasis on the lips of the female figure on the left of the subject. Image size: 50.2 x 30 cm (19.8 x 11.8 in) Sheet size: 65 x 50 cm (25.6 x 19.7 in) £350 http://www.frederickmulder.com/artists1 daily 0.75 2017-01-16 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1481020322450-KQ7S2KEAV5RY42689CSN/IMG_3055.jpg Artists John McLusky (1923-2006) Moonraker - Torture Sequence Ink drawing, 1959 Three of the original strips created by John McLusky for Moonraker. The original novel by Ian Flemming was adapted as a comic strip and published in the Daily Express, a British newspaper. McLusky worked alongside author Henry Gammidge between 1958 and 1966 to adapt sixteen of the Bond novels. Sheet size: 46.0 x 13.0 cm (18.1 x 5.1 in) £2,400 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1395150116365-W7QC9GE9RB68J36MHPVI/tissot-13408-1.jpg Artists James Jacques Joseph Tissot (1836 -1902) The Parable of the Prodigal Son according to St. Luke Etchings, 1882 Wentworth 57 - 61, second state of two The complete set of etched frontispiece plus four etched plates: "The Departure", "In Foreign Climes", "The Return", and "The Fatted Calf". Unbound as issued. From the second state printing of 400, according to Wentworth. Image size : 31.0 x 37.0 cm (12.2 x 14.57 in) Sheet size : 33.0 x 40.0 cm (12.99 x 15.75 in) http://www.frederickmulder.com/news daily 0.75 2025-02-14 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1652184009474-WEGMYK5K694DNOLQ1E0E/F13921+-+F+Mulder+Ltd+-+Munch+%27The+Sick+Child+I%27+%28HF%29.jpg News http://www.frederickmulder.com/news/2025/2/14/anne-francoise-and-fred monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/cd7205d6-7939-4808-850c-259cafa5be9b/F+13395+copy.jpg News - Directors, Frederick Mulder and Anne-Francoise Gavanon, to give talks as part of the British Museum exhibition 'Picasso: Printmaker' - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.frederickmulder.com/news/2024/6/3/picasso-the-beauty-and-the-best monthly 0.5 2024-06-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/eac5cb2d-12ac-432b-908c-aee64520da8c/382987706_697347492423799_7302461572952738300_n.jpg News - Director, Anne-Francoise Gavanon features in BBC Documentary ‘Picasso - the Beauty and the Best’ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.frederickmulder.com/news/2022/5/23/der-tagesspiegel-reviews-the-paris-print-fair-may-2022 monthly 0.5 2022-05-23 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/46059596-2f4b-408b-8f5e-f1e1b3284cf3/Picasso+-+Jacqueline+lisant%2C+de+Trois+Quarts+%28HF%29.jpg News - Der Tagesspiegel reviews the Paris Print Fair, May 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.frederickmulder.com/news/2021/9/5/8-11-september-eye-of-the-collector monthly 0.5 2021-09-05 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1630852425530-7NHIU67W92PXGFZ9T39S/F+13994+-+F+Mulder+Ltd+-+Picasso+%27La+pique+cass%C3%A9e%27.jpg News - 8 - 11 September | Eye of the Collector - Make it stand out La pique cassée, Pablo Picasso http://www.frederickmulder.com/news/2021/5/24/ifpda-2021-fine-art-print-fair-critics-review monthly 0.5 2021-05-24 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1621855679921-NS67ZR8TCQU3DW44O1UL/6F76BCA4-5709-4FE5-A6F9-D5A4C9C92E5F.jpeg News - Frederick Mulder in National Review for the IFPDA Fair 2021 Online Edition - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1621858350480-H0THAZYZNM6D3X5H9A24/national-review-logo-2.png News - Frederick Mulder in National Review for the IFPDA Fair 2021 Online Edition - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1621855641334-EISWF02EGTK4NPTEY7XO/Untitled-1.jpg News - Frederick Mulder in National Review for the IFPDA Fair 2021 Online Edition - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.frederickmulder.com/news/2021/5/1/frederick-mulder-is-mentioned-in-the-tatler monthly 0.5 2021-05-02 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619864593193-6LBVPUC2QVJNNM5WGU90/IMG_7966.jpg News - Frederick Mulder in Tatler for the London Original Print Week https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619864622783-NECND6731I3X3OXNKZA4/IMG_7970.jpg News - Frederick Mulder in Tatler for the London Original Print Week https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619864608114-V9PABN2QPIBOM2X0AHDS/IMG_7968.jpg News - Frederick Mulder in Tatler for the London Original Print Week http://www.frederickmulder.com/news/2021/4/30/frederick-mulders-grand-nu-debout-featured-in-the-financial-times monthly 0.5 2021-04-30 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619796848697-XU0CEMX09XFOP2XOKHFN/FCFB4F63-AB76-4ACF-8E7A-DD6E83025224.jpeg News - Frederick Mulder's ‘Grand Nu Debout’ featured in the Financial Times https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619796650889-1I5TTUFN493Z62D4X5YF/734633D7-FE79-4979-AFE9-225A26650953.jpeg News - Frederick Mulder's ‘Grand Nu Debout’ featured in the Financial Times http://www.frederickmulder.com/news/2021/4/30/london-original-print-week-may-1-7-2021 monthly 0.5 2021-04-30 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619794882211-88S288O64D6GHF87XZP7/unnamed1.jpg News - 1 - 7 May 2021 | London Original Print Week Pablo Picasso Profil de Jacqueline I, II, III, IV, 1956 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1619794887703-0E29SNZ4O9FB3ESKEX2M/unnamed2.jpg News - 1 - 7 May 2021 | London Original Print Week Pablo Picasso Jacqueline lisant, 1962 http://www.frederickmulder.com/news/2020/10/5/the-vallauris-posters-by-pablo-picasso monthly 0.5 2020-10-07 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1602068649971-D56PIPPGUP8TGN00O17J/FM+website+-+F+12638+-+F+Mulder+Ltd+-+Picasso+%27Toros+en+Vallauris+1955%27.jpg News - The Vallauris Posters by Pablo Picasso Toros en Vallauris 1955 http://www.frederickmulder.com/news/2020/10/5/uks-anti-money-laundering-new-regulation monthly 0.5 2020-10-05 http://www.frederickmulder.com/news/2017/11/10/spears-the-top-advisers-in-art monthly 0.5 2017-11-10 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1510327939645-QGO1LM6JH9O1UBK0U66T/Spear%27s+Catalogue+Cover+copy1.jpg News - SPEAR's The top advisers in art https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1510328608771-JET5A3HR4WHRLR0Z59ME/article+-+Spears2+copy.jpg News - SPEAR's The top advisers in art https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1510328637064-9HODV0CZGY9UBQJBFSIY/article+-+Spears3+copy.jpg News - SPEAR's The top advisers in art http://www.frederickmulder.com/news/2017/10/30/ifpda-2017-fine-art-print-fair-critics-view monthly 0.5 2017-10-30 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1509376026819-2WRYC6XGMUH8F64PB2XA/F+13921+-+F+Mulder+Ltd+-+Munch+%27The+Sick+Child+I%27+website+article.jpg News - IFPDA 2017 Fine Art Print Fair: Critic's View "The Sick Child.I" by Edvard Munch   https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1509375126672-Q1MDTFETFZZJ0N6TWOIL/logo1.jpg News - IFPDA 2017 Fine Art Print Fair: Critic's View Critic’s View: Fine Art Print Fair Offers Masters of the Medium and New Works http://www.frederickmulder.com/news/https/wwwpinterestcom/pin/726064771147478181 monthly 0.5 2017-10-27 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1509112406668-XQMHP7FC1H9V6XNSHRD8/F+13644+-+F+Mulder+Ltd-+Picasso+%27Minotaure+aveugle+guid%C3%A9+par+Marie-Th%C3%A9r%C3%A8se+au+Pigeon+dans+une+Nuit+etoil%C3%A9e%27%2C+from+the+%27Suite+Vollard%27.jpg News - IFPDA 2017 Fine Art Print Fair Pablo Picasso’s La Minotauromachie. Courtesy of Frederick Mulder. http://www.frederickmulder.com/news/2017/9/29/picasso-linocuts-exhibited-at-david-linley-in-collaboration-with-frederick-mulder-for-london-design-week monthly 0.5 2017-10-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1506697243543-87IZSCHYCW75N3Y9W44C/image-asset.jpeg News - David Linley and Frederick Mulder collaborate on Picasso linocut exhibition https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1507276857787-WOBJ4QE1PBCVOXONIPX5/Linley+logo.JPG News - David Linley and Frederick Mulder collaborate on Picasso linocut exhibition https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1506697066140-KP2VEHPMU5MB6YWR1X5F/Linley+flyer.JPG News - David Linley and Frederick Mulder collaborate on Picasso linocut exhibition http://www.frederickmulder.com/news/2016/12/13/g77og43gzjvzb45r7nhadm5yf6rnpu monthly 0.5 2017-09-29 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1481633626279-SJEI5YZR23UH7WFYY3S6/image-asset.jpeg News - National Museum Wales wins Richard Hamilton Acquisition Prize & buys print at Frederick Mulder Karl Schmidt-Rottluff (1894-1976) Die Sonne, 1914 Woodcut signed in pencil, from the edition of 75. http://www.frederickmulder.com/news/2016/9/28/british-museum-prints-deal-completes-picasso-mission monthly 0.5 2016-10-04 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1475591832855-D5AK8DG1RWG9J9XZ0WY6/image-asset.jpeg News - British Museum prints deal completes Picasso mission http://www.frederickmulder.com/news/2016/4/28/la-provence-reviews-new-picasso-exhibition-at-mucem-in-marseille monthly 0.5 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1461843828601-QZ1EPSA6ANHI9U4IR97K/image-asset.jpeg News - 'La Provence' reviews new Picasso exhibition at MuCEM in Marseille https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1461845086435-4IWFGDSBPHI3W9ZAWFT2/image-asset.jpeg News - 'La Provence' reviews new Picasso exhibition at MuCEM in Marseille http://www.frederickmulder.com/news/2016/2/23/frederick-mulders-vallauris-posters-featured-in-the-fts-how-to-spend-it monthly 0.5 2016-02-23 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1456225789004-12EVCSKLRQSW990TDWO4/image-asset.jpeg News - Frederick Mulder's Vallauris posters featured in the FT's 'How to Spend It' https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1456223993316-UUIYCZVKBO23E6MPYZXG/image-asset.jpeg News - Frederick Mulder's Vallauris posters featured in the FT's 'How to Spend It' http://www.frederickmulder.com/news/2015/11/19/frederick-mulder-awarded-eminence-grise-in-the-spears-500 monthly 0.5 2016-05-11 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1447940552760-9WIIBF5HCR7K4K85DLNN/image-asset.jpeg News - Frederick Mulder awarded 'Eminence Grise' in The Spear's 500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1447940446100-23KG5ALJQK6OADPZG5AM/image-asset.jpeg News - Frederick Mulder awarded 'Eminence Grise' in The Spear's 500 http://www.frederickmulder.com/news/2015/11/8/artsy-pick-our-picasso-linocut-as-one-of-the-16-best-buys-of-the-ifpda-print-fair monthly 0.5 2015-11-08 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1447005409486-0WK8ZKKA6P8BJ1BREUZI/image-asset.jpeg News - Artsy pick our Picasso linocut as one of the '16 best buys' of the IFPDA Print Fair http://www.frederickmulder.com/news/2015/11/6/new-york-times-picks-frederick-mulders-bresdin-as-a-highlight-of-the-ifpda-print-fair monthly 0.5 2015-11-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1446831504190-TZ3D2W86UIUSKRZXF9P4/image-asset.jpeg News - New York Times picks Frederick Mulder's Bresdin as a highlight of the IFPDA Print Fair http://www.frederickmulder.com/news/2015/8/19/the-frederick-mulder-stand-at-masterpiece-london-2015 monthly 0.5 2015-09-09 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1439985630478-8HTYHV5UN9DMBU4OGEQX/FM_Masterpiece2015_016b.jpg News - The Frederick Mulder stand at Masterpiece London | 2015 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1439985635422-FR2ZHPEYA61NHSX4DJH5/FM_Masterpiece2015_026b.jpg News - The Frederick Mulder stand at Masterpiece London | 2015 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1439985635460-PAZ77H9QK6ZJGCIW4RL6/FM_Masterpiece2015_041b.jpg News - The Frederick Mulder stand at Masterpiece London | 2015 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1439985640028-88L2CHIV0WFZLLJ68MKZ/FM_Masterpiece2015_051b.jpg News - The Frederick Mulder stand at Masterpiece London | 2015 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https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1435324403235-9P32KRW48OC4FB1X7ECJ/image-asset.jpeg News - Artnet selects Frederick Mulder as one of their Top Ten Booths at Masterpiece 2015 http://www.frederickmulder.com/news/2015/5/5/spears-masterpiece-breakfast-2015-fred-mulder-to-join-the-panel-and-persuade-the-audience-his-picasso-and-matisse-are-the-true-masterpieces monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1430829785038-68RL66B7VO6186DU2S58/image-asset.jpeg News - Spear's Masterpiece Breakfast 2015: Frederick Mulder to join the panel http://www.frederickmulder.com/news/2015/4/20/fred-mulder-to-talk-at-london-original-print-fair-one-dealers-stories-of-the-picasso-world monthly 0.5 2015-04-20 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1429546660961-I2FO14YOKKYEAR8PEFDS/image-asset.jpeg News - Fred Mulder to talk at London Original Print Fair: 'One dealer's stories of the Picasso world' https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1429548176077-604EJ0OYG56LOADXGOS9/image-asset.jpeg News - Fred Mulder to talk at London Original Print Fair: 'One dealer's stories of the Picasso world' http://www.frederickmulder.com/news/2015/4/20/printmaking-today-features-fred-mulder-discussing-the-prints-he-will-show-at-london-original-print-fair-2015-and-his-memories-of-fairs-past monthly 0.5 2015-04-20 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1429546038756-FY2F1I5XZ2MZ7RHYJAOX/image-asset.jpeg News - Printmaking Today features Fred Mulder discussing some of the Picasso prints he will show at the London Original Print Fair 2015, and his memories of fairs past http://www.frederickmulder.com/news/2015/4/20/hong-kong-economic-times-review-of-the-picasso-printmaker-exhibition-at-la-galerie monthly 0.5 2015-04-20 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1429545688969-HXB7HC9P5VEANOU0Q0VM/image-asset.jpeg News - Hong Kong Economic Times review of the Picasso Printmaker exhibition at La Galerie http://www.frederickmulder.com/news/2015/2/25/w4xc9f3u48td2w3s9lhd14od1px8zi monthly 0.5 2015-02-26 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1424960020653-CN5GNVFG8VC59RQRH8JS/image-asset.png News - COVERmagazine.HK article on 'Picasso Printmaker' exhibition - a collaboration between La Galerie HK & Frederick Mulder Ltd http://www.frederickmulder.com/news/2015/1/21/hong-kong-lifestyle-journal-on-masterpiece-2014-and-frederick-mulders-picasso-minotauromachie-and-matisse-jazz monthly 0.5 2015-01-21 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1421836896295-41RKVZFYWSJOFTETGP8H/image-asset.jpeg News - Hong Kong 'LifeStyle Journal' on Masterpiece 2014 and Frederick Mulder's Picasso 'Minotauromachie' and Matisse 'Jazz' http://www.frederickmulder.com/news/2015/1/13/saskatoon-newspaper-starphoenix-discusses-the-picasso-linocut-collection-donated-to-remai-modern-art-gallery monthly 0.5 2015-01-13 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1421144310938-XX3XMGN0X0MSNC69WCBM/image-asset.jpeg News - Saskatoon newspaper StarPhoenix writes about the Picasso linocut collection donated to Remai Modern Art Gallery http://www.frederickmulder.com/news/2015/1/8/save-the-date-frederick-mulder-to-exhibit-at-masterpiece-london-2015 monthly 0.5 2015-01-08 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1420712736325-DQEIAAQS5ARHJUQYTOD7/image-asset.jpeg News - Save The Date: Frederick Mulder to exhibit at Masterpiece London 2015 http://www.frederickmulder.com/news/2014/12/18/anne-franoise-guest-curates-for-wwwprinted-editionscom monthly 0.5 2015-01-02 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1418902135343-WJ97OM3ATK8Z5GRBXLA1/image-asset.jpeg News - Anne-Françoise guest curates Matisse 'Jazz' and cut-outs for www.printed-editions.com http://www.frederickmulder.com/news/2014/12/8/fred-mulder-donates-picasso-ceramic-collection-to-the-remai-modern-in-saskatchewan monthly 0.5 2015-01-01 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1418047177129-33XUTTAX8HBQEHUYFB6X/Remai_A0A8124.jpg News - Frederick Mulder donates Picasso ceramic collection to the Remai Modern in Saskatchewan http://www.frederickmulder.com/news/2014/11/28/new-york-times-on-the-ifpda-print-fair-in-new-york monthly 0.5 2015-01-02 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1417177803623-5HEFGWTXK100NETZHZLV/ifpda-2014.jpg News - New York Times discuss our Matisse and Picasso at the IFPDA Print Fair in New York http://www.frederickmulder.com/news/2014/10/8/print-in-focus-matisse-his-cut-outs-and-the-tate-modern-exhibition monthly 0.5 2015-01-01 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1412762338374-85L3YYVF361KC8HTGHYZ/image-asset.jpeg News - Print in Focus: Matisse, his cut-outs, and the Tate Modern exhibition Henri Matisse Cover maquette for the exhibition catalogue, 'Henri Matisse: Lithographies rares' Gouache on paper, cut and pasted, c. 1954 22.1 x 23.6cm http://www.frederickmulder.com/news/2014/10/8/wall-street-journal-on-the-matisse-cut-out-show-at-moma monthly 0.5 2014-10-10 http://www.frederickmulder.com/news/2014/7/3/new-york-times-highlights-fm-ltd-at-masterpiece monthly 0.5 2015-01-13 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1404983998958-0NZPG2XCOQKJRSPWI2DP/image-asset.jpeg News - New York Times highlights Frederick Mulder's Matisse 'Jazz' at Masterpiece http://www.frederickmulder.com/news/2014/6/28/artnet-selects-our-matisse-jazz-as-a-masterpiece-highlight monthly 0.5 2015-01-01 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1403931895438-LV50JVDDPV87RPTEHCUO/Frederik+Mulder_Booth+Views+%28by+Adrien+Millot%29+-+Matisse+%28cropped%29.jpg News - Artnet selects Matisse 'Jazz' as a Masterpiece highlight http://www.frederickmulder.com/news/2014/6/16/frederick-mulder-ltd-awarded-best-of-the-best-by-the-robb-report monthly 0.5 2015-01-02 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1403100635875-C0VMSCGS42YBYASOOU32/Robb+Report.jpg News - Frederick Mulder awarded Best of the Best winner for Prints, by the Robb Report http://www.frederickmulder.com/news/2014/5/13/frederick-mulder-ltd-to-show-at-masterpiece-london-2014 monthly 0.5 2014-06-18 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1399980470541-XV5FVF8TZ7HFM2NU53K7/masterpiece-flyer.jpg News - Frederick Mulder Ltd to exhibit at Masterpiece London 2014 http://www.frederickmulder.com/news/2014/5/9/the-london-original-print-fair monthly 0.5 2014-05-09 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1399634891690-ZVEO8QMDJY7J3ZM69S3U/Whole+Stand+Edited.jpg News - The London Original Print Fair 2014 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1399635350155-91EQF8XVFA9QSKA5V6X3/Rigtht+hand+wall+edited.jpg News - The London Original Print Fair 2014 http://www.frederickmulder.com/news/2014/4/3/print-in-focus-march-2014 monthly 0.5 2014-10-08 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1396526362815-LFLOMK7NHMSR3CKR80AC/image-asset.jpeg News - Print in Focus: Picasso, 'Buste de femme (with dedication plate)' Tête de femme, face et profil Paris, 1925 Scraper on stone covered with lithographic crayon c. 11.2 x 11.7cm https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1396525416694-44J12EFKKYUQUKOCCOQB/image-asset.jpeg News - Print in Focus: Picasso, 'Buste de femme (with dedication plate)' Boris Kochno, Paris, 1921 Pencil on paper 32 x 22cm https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1399984060818-Q94HLY0G8KPSUPOBFJBL/image-asset.jpeg News - Print in Focus: Picasso, 'Buste de femme (with dedication plate)' Pablo Picasso Buste de femme (and dedication plate) Etching, 1925 12 x 15cm http://www.frederickmulder.com/news/2014/3/3/british-museum-acquires-important-picasso-linocuts monthly 0.5 2014-03-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1393854798670-126PMEEINHRLUQUF4GPB/The+Guardian+070114+-+Picasso+Linocuts.jpg News - British Museum acquires important Picasso linocuts http://www.frederickmulder.com/news/2014/4/3/zdns2koyzakbpu5ir2osjmalnylgsa monthly 0.5 2015-01-02 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Study for Blue and Gold Roussel Medium, 1925 Théodore Roussel was a pioneer in colour printmaking and experimented tirelessly. His final research and efforts lead him to devise a new way of printing called the Roussel Medium. It is a method far removed from mainstream printmaking and is quite difficult to replicate - Agnes Mackay, who assisted the artist during this last phase of printmaking, has touched upon it. Only 10 subjects are known using this technique, which entailed a new process of printing in water as opposed to oils and entirely by hand as opposed to the mechanical printing of a plate. It consisted of a water-based ‘ink’ made up of rice powder and pigments. This was partially printed from textile plates made from a series of master cuttings in paper and partially applied through paper stencils. Ink drawings referred to by Mackay as ‘Type’ drawings were used as the basis for the paper cuttings and stencils. Study for Blue and Gold is one of the 10 subjects made in the Roussel Medium. According to Margaret Hausberg, who wrote the catalogue raisonné of Roussel graphic works, only four trial proofs are known. We are delighted to offer three of them: 1) Trial proof – potentially first state A mono-coloured impression worked in light blue and representing the outlines of a vase; 2) Trial proof – potentially second state An impression worked with light blue, grey and gold pigments. In this state, Roussel continues to build up his composition by adding grey pigments to the body of the vase, to its handles and its rim. He then decorates the vase with golden pigments. 3) Trial proof – potentially third state or final state An impression worked with light blue, grey, white and gold pigments. In addition to the previous state, Roussel has added a grey-white background. All three proofs bear four pencil marks, most certainly the registration marks for positioning the stencils that allowed Roussel to “print”. Image Size : 18 x 20cm (7.1 x 7.9in) Sheet Size : 19.5 x 27cm (7.7 x 10.6in) £3,100 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479224960148-SPJS1L9JWUREDRP6KP8U/F+13177+-+F+Mulder+Ltd+-+Roussel+%27Study+for+Blue+and+Gold%27.jpg Theodore Roussel Thédore Roussel (1847-1926) Study for Blue and Gold Roussel Medium, 1925 Théodore Roussel was a pioneer in colour printmaking and experimented tirelessly. His final research and efforts lead him to devise a new way of printing called the Roussel Medium. It is a method far removed from mainstream printmaking and is quite difficult to replicate - Agnes Mackay, who assisted the artist during this last phase of printmaking, has touched upon it. Only 10 subjects are known using this technique, which entailed a new process of printing in water as opposed to oils and entirely by hand as opposed to the mechanical printing of a plate. It consisted of a water-based ‘ink’ made up of rice powder and pigments. This was partially printed from textile plates made from a series of master cuttings in paper and partially applied through paper stencils. Ink drawings referred to by Mackay as ‘Type’ drawings were used as the basis for the paper cuttings and stencils. Study for Blue and Gold is one of the 10 subjects made in the Roussel Medium. According to Margaret Hausberg, who wrote the catalogue raisonné of Roussel graphic works, only four trial proofs are known. We are delighted to offer three of them: 1) Trial proof – potentially first state A mono-coloured impression worked in light blue and representing the outlines of a vase; 2) Trial proof – potentially second state An impression worked with light blue, grey and gold pigments. In this state, Roussel continues to build up his composition by adding grey pigments to the body of the vase, to its handles and its rim. He then decorates the vase with golden pigments. 3) Trial proof – potentially third state or final state An impression worked with light blue, grey, white and gold pigments. In addition to the previous state, Roussel has added a grey-white background. All three proofs bear four pencil marks, most certainly the registration marks for positioning the stencils that allowed Roussel to “print”. Image Size : 18 x 20cm (7.1 x 7.9in) Sheet Size : 19.5 x 27cm (7.7 x 10.6in) £3,100 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515770343316-Y8P37BQ7QR13T080ZI6A/Steamboat+-+framed+-+2+of+2+%28photographed+behind+glass%29.jpg Theodore Roussel Théodore Roussel (1847-1926) The Steamer Roussel Medium, 1922 Théodore Roussel was a pioneer in colour printmaking and experimented tirelessly. His final research and efforts lead him to devise a new way of printing called the Roussel Medium. It is a method far removed from mainstream printmaking and is quite difficult to replicate - Agnes Mackay, who assisted the artist during this last phase of printmaking, has touched upon it. Only 10 subjects are known using this technique, which entailed a new process of printing in water as opposed to oils and entirely by hand as opposed to the mechanical printing of a plate. It consisted of a water-based ‘ink’ made up of rice powder and pigments. This was partially printed from textile plates made from a series of master cuttings in paper and partially applied through paper stencils. Ink drawings referred to by Mackay as ‘Type’ drawings were used as the basis for the paper cuttings and stencils. Commenting upon this invention in 1926, Frank Rutter said “…and among the results, which [Roussel] has already obtained from it, is a remarkable colour print entitled ‘The Steamer’, a radiant little marine of jewel-like colour, which differs from the early etchings notably by the rich impasto of its surface quality. The pigment, held together by the a medium extracted from rice, lies encrusted onto the paper with a granulated surface, obtained from the grain of the textile, which increases enormously the richness, vibration and vitality of the colour”. Furthermore, Mackay in an unpublished manuscript records the existence of 12 finished prints of this subject alongside three textile plates and 50 “plates” made up of Japanese paper that were either ‘cut’ or ‘uncut’, which we can akin to stencils. She also refers to three ‘type’ plates (one for the whole composition, one for the detail of pier, and one for the detail of boat), and several trial impressions in colours at various stage of printing. Our group is made up of: - Two ink drawings, one of the whole composition inscribed ‘tracing from drawing for the plates’ and another of the steamer only. Both drawings are on a yellow glazed paper. We believe these are two ‘type’ drawings used as the basis for the stencils and paper cuttings. This is supported by the registration grid around both compositions with their vertical lines matching those of the stencils when superposed on each other; - Thirteen cut and uncut stencils out of which 10 were used to print the boat, two for the sky and one for the pier; and - A trial proof. Image Size : 11.8 x 19.6cm (4.7 x 7.7in) Sheet Size : 22 x 25.5cm (8.7 x 10in) £4,000 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479224576669-1BIGO4PLLCHX9TUDD9PZ/F+13177+-+F+Mulder+Ltd+-+Roussel+%27Study+for+Blue+and+Gold%27.jpg Theodore Roussel http://www.frederickmulder.com/kathe-kollwitz daily 0.75 2016-03-21 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394725514259-G49DGSEA074V4KRLL2EV/kollwitz-12349.jpg Käthe Kollwitz - Kollwitz 'Selbstbildnis im Profil' Käthe Kollwitz (1867 - 1945) Selbstbildnis im Profil Lithograph, 1927 Klipstein 227 a (of c); Knesebeck 235 b (of c) Signed and dated in pencil. Note In 1929, this lithograph was offered as an annual gift to the Members/Friends of Kunstvereins Kassel. Image size : 32.2 x 29.5 cm (12.68 x 11.61 in) Sheet size : 50.5 x 36.5 cm (19.88 x 14.37 in) £6,000 + VAT https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394725514259-G49DGSEA074V4KRLL2EV/kollwitz-12349.jpg Käthe Kollwitz - Kollwitz 'Selbstbildnis im Profil' Käthe Kollwitz (1867 - 1945) Selbstbildnis im Profil Lithograph, 1927 Klipstein 227 a (of c); Knesebeck 235 b (of c) Signed and dated in pencil. Note In 1929, this lithograph was offered as an annual gift to the Members/Friends of Kunstvereins Kassel. Image size : 32.2 x 29.5 cm (12.68 x 11.61 in) Sheet size : 50.5 x 36.5 cm (19.88 x 14.37 in) £6,000 + VAT http://www.frederickmulder.com/henri-matisse daily 0.75 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1403038089915-V8MXWAEU3HY00L0DFINH/matisse-13617.jpg Henri Matisse - Matisse 'Le cirque', from 'Jazz' Henri Matisse (1869 - 1954) Le cirque, from Jazz Pochoir in colours, 1947 Duthuit-Garnaud, 22 (Catalogue raisonné of the illustrated books) An impression from the edition of 250, published by Tériade Editeur, Paris. Image Size : 42.2 x 65.1 cm (16.61 x 25.63 in) Sheet Size : 42.2 x 65.1 cm (16.61 x 25.63 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1454409660760-YW9656E6O2NDPE7K3XYY/Matisse-13618.jpg Henri Matisse http://www.frederickmulder.com/artists-a-p daily 0.75 2021-09-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515077958179-YI3XTN6IR4MGWG9E5DZZ/F+13482+%28cropped%29+-+F+Mulder+Ltd+-+Power+%27Speed+Trial%27.jpg Artists A-P POWER https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515150253176-ZKI82K9K6O5YIMZ2M5L0/F+4767+%28cropped%29+-+Freud+Museum+10th+Anniversary+Portfolio+-+Susan+Hiller+-+4+of+11.jpg Artists A-P HILLER https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515150807515-QM0CKYANW6SGETC19GJE/F+13815+%28cropped%29+-+F+Mulder+Ltd+-+Picasso+%27Jeunesse%27+-+cropped.jpg Artists A-P PICASSO https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515150445175-4935L9NCHJ4X4T1GBWDJ/F+13551+%28cropped%29+-+Harpy+%28no+border%29.jpg Artists A-P MAILLOL https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515150644834-AXN3YA7DJ3ISYIPDX960/F+13483+-+F+Mulder+Ltd+-+Meyer+%27Fishwives%27+%28no+border%29.jpg Artists A-P MEYER https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515079680989-0FRPNM8TZRRSI0N8SZH0/F+4767+%28cropped%29+-+Freud+Museum+10th+Anniversary+Portfolio+-+Pruenlla+Clough+-+2+of+11.jpg Artists A-P CLOUGH https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515150327914-2NZLCZJ7RG6E0VXKCX5A/F+12763+%28cropped%29+-+F+Mulder+Ltd+-+Magnelli+%27L%27Album+de+La+Ferrage%2C+Plate+III%27.jpg Artists A-P MAGNELLI https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515150742464-HHI8UYJD1W20RLQK07DG/F+13551+%28cropped%29+-+Harpy+%28no+border%29.jpg Artists A-P MUNCH https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479227901260-YOKIXPEOAV3369YQV14B/F+13889+-+F+Mulder+Ltd+-+Hiller+%27After+microscope+slides+found+in+Freud%27s+collection+and+a+quotation+from+Jacques+Lacan%27.jpg Artists A-P Susan Hiller (Born 1940) After microscope slides found in Freud's collection and a quotation from Jacques Lacan Screenprint, 1996 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in 23 colours on Vélin Arches Blanc 300gsm. Image Size : 51 x 63.5cm (20.1 x 25in) Sheet Size : 51 x 63.5cm (20.1 x 25in) £300 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479227777980-ZK6KV3NIH9Y9DTVLEAMD/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Pruenlla+Clough+-+2+of+11.jpg Artists A-P Prunella Clough (1919-1999) Delphic Screenprint, 1996 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in six colours on Arches Brite White 300gsm. Image Size : 44.5 x 40.5cm (17.5 x 15.9in) Sheet Size : 57.5 x 51.5cm (22.6 x 20.3in) £300 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1516980074183-VQTLYXV14TE89VB8N7IK/F+12763+-+F+Mulder+Ltd+-+Magnelli+%27L%27Album+de+La+Ferrage%2C+Plate+III%27.jpg Artists A-P https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1528722989383-0ZXUEKT5811JGRI5F08B/F+13601+-+F+Mulder+Ltd+-+icasso+%27Homme+d%C3%A9voilant+une+Femme%27.jpg Artists A-P https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394732315355-I47EK8LTF0Y21QLVZ8PK/power-13482.jpg Artists A-P Cyril Power (1872-1951) Speed Trial Linocut printed in colours, c. 1932 Coppel CEP 31, published state Signed in pencil, titled and numbered 1 from the edition of 60. Inspired by Malcolm Campbell's record-breaking racing car 'Blue Bird'. Image size : 25 x 38.4 cm (9.84 x 15.12 in) Sheet size : 27 x 38.4 cm (10.63 x 15.12 in) Price on application https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1395146167077-77SQOAW7C9F3F5YC264C/rouault-5118-1.jpg Artists A-P Georges Rouault (1871-1958) Les Fleurs du Mal: Nu de profil Aquatints printed in colours, 1936-38 Chapon & Rouault 274 - 285 Complete set of twelve aquatints. Undescribed working proofs before the published edition of 250. Before the reduction of the plates; with minor differences in colouring and before monogram and date in the black plates; one worked over by hand in black gouache and one with annotations. 1) Nu de profil, Chapon and Rouault 274 Undescribed working proof before the published edition, exhibiting the following differences: a) Before the reduction of the plate; b) The colour plates exhibiting significant differences from those of the edition; and c) The black plate is before monogram and date. This impression is heavily annotated in ink with printer's instructions. 'Essai fait il y a un an Aneune couleur un___ pour vos petits planches nous n'aurons aucun coup de planche le___on l'acier plutos depassant le papier.' Unique in this form. On laid paper. Watermark: Montval Image size: 34.8 x 24.7 cm Sheet size: 44.7 x 34.2 cm Price on application https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1417095445835-WVRK4VOL6HYNO82L10OK/munch-13551.jpg Artists A-P http://www.frederickmulder.com/anna-eva-bergman daily 0.75 2014-10-24 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1414156969365-4OAOIJOWINEYSLBS3L48/bergman-13755.jpg Anna-Eva Bergman - Bergman 'Untitled (Sun)' Anna-Eva Bergman (1909-1987) Untitled (Sun) Linocut printed in colour, c. 1971 Signed and inscribed 'e.a.' ('épreuve d'essai'), in pencil. Dedicated, 'Pour Gerard Arnéra, amicalement, Anna Eve Bergman', in pencil. Image Size : 39.7 x 29 cm (15.6 x 11.4 in) Sheet Size : 65.5 x 50 cm (25.8 x 19.7 in) https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1414157097629-SBMFGFSNDUJ98ZPYXZCA/bergman-13755.jpg Anna-Eva Bergman http://www.frederickmulder.com/douglas-percy-bliss daily 0.75 2014-07-25 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394645408446-MH9WUNT5LBB7CG4XYV3V/bliss-13404.jpg Douglas Percy Bliss - Bliss 'Corkley in Snow' Douglas Percy Bliss Corkley in Snow Watercolour, pencil and gouache on collage, c.1949 Signed in ink lower left. Collage applied to card, some of which is directly worked on as well. The card is also titled "Corkley in Snow" on the reverse, to which is also applied Bliss's label inscribed "Douglas Percy Bliss/ 3 Princess Gardens/ Glasgow/ Ivy Cottage/ Watercolor/ £20. There are also remnants of a Sunday Post dated February 13, 1949 applied to the reverse of the card. Image size : 34.0 x 49.0 cm (13.39 x 19.29 in) Sheet size : 47.0 x 61.5 cm (18.5 x 24.21 in) £4,600 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394645408446-MH9WUNT5LBB7CG4XYV3V/bliss-13404.jpg Douglas Percy Bliss - Bliss 'Corkley in Snow' Douglas Percy Bliss Corkley in Snow Watercolour, pencil and gouache on collage, c.1949 Signed in ink lower left. Collage applied to card, some of which is directly worked on as well. The card is also titled "Corkley in Snow" on the reverse, to which is also applied Bliss's label inscribed "Douglas Percy Bliss/ 3 Princess Gardens/ Glasgow/ Ivy Cottage/ Watercolor/ £20. There are also remnants of a Sunday Post dated February 13, 1949 applied to the reverse of the card. Image size : 34.0 x 49.0 cm (13.39 x 19.29 in) Sheet size : 47.0 x 61.5 cm (18.5 x 24.21 in) £4,600 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394645408923-Y203GII3TCNSAMY7GIF4/bliss-13403.jpg Douglas Percy Bliss - Bliss 'Wood at Windley' Douglas Percy Bliss Wood at Windley Signed lower right. Image size : 40.0 x 55.7 cm (15.75 x 21.93 in) Sheet size : 40.0 x 55.7 cm (15.75 x 21.93 in) £2,750 http://www.frederickmulder.com/bernard-boutet-de-monvel2 daily 0.75 2018-01-12 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1395139671971-TBJ1DKEB3FXY9Z0A69GI/boutet-de-monvel-13481.jpg Bernard Boutet de Monvel Bernard Boutet de Monvel (1855-1913) Couple looking at the Moon Inscribed and numbered in pencil, "tiré à 60 - 27" and signed in pencil, "BERNARD B. DE MONVEL". Image size : 17.7 x 19.9 cm (6.97 x 7.83 in) Sheet size : 19.0 x 21.0 cm (7.48 x 8.27 in) £600 http://www.frederickmulder.com/lucas-cranach-the-elder daily 0.75 2016-09-01 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1399978971833-5XQ1YR02HD4BUP5W0KQK/cranach-13083.jpg Lucas Cranach http://www.frederickmulder.com/durer daily 0.75 2015-06-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394196004843-E3U25V7BCDDWQ0ZMS3YR/durer-13500.jpg Albrecht Dürer - Dürer 'Saint Jerome in his Study' Albrecht Dürer (1471 - 1528) Saint Jerome in his Study Engraving, 1514 Bartsch 60; Meder, Hollstein 59 A very fine Meder a impression with strong contrasts and the dark vertical band clearly visible. Inscribed in pencil '21299' and 'B 60' on the verso. Image size : 24.9 x 19.0 cm (9.8 x 7.48 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394196004843-E3U25V7BCDDWQ0ZMS3YR/durer-13500.jpg Albrecht Dürer - Dürer 'Saint Jerome in his Study' Albrecht Dürer (1471 - 1528) Saint Jerome in his Study Engraving, 1514 Bartsch 60; Meder, Hollstein 59 A very fine Meder a impression with strong contrasts and the dark vertical band clearly visible. Inscribed in pencil '21299' and 'B 60' on the verso. Image size : 24.9 x 19.0 cm (9.8 x 7.48 in) POA http://www.frederickmulder.com/pablo-picasso daily 0.75 2025-05-20 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664810003283-RPUPT0ZEQ2UQ0RQ9AOB6/13993.jpg Pablo Picasso https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664794806528-8TU3FPMTBPOFULX2NLLY/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Le Repas frugal Etching and scraper, 1904 Bloch 001; Baer 002 second state of two, II.b.1. (of II.c.) An impression from the unsigned and unnumbered edition of 27 or 29 printed on Japan paper. There was also an edition of 250 on van Gelder paper. Inscribed "Le repas frugal" in pencil in the lower middle margin, and inscribed "G.2b" in pencil in the lower left margin Provenance Private Collection, North America Image Size: 46.2 x 37.8 cm (18.19 x 14.88 in) Sheet Size: 59.9 x 50.8 cm (23.58 x 20.00 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722004948966-TVJY1KXT7UDF3UNU0FQM/image-asset.jpeg Pablo Picasso Pablo Picasso (1981-1973) Tête d’homme moustachu Linocut printed in colours, 1966 Bloch 1853; Baer 1851 only state, A (of C) An 'epreuve d'essai' outside the signed and numbered edition of 125. There also was an unisgned and unumbered edition of 400 used by Madoura as a greeting card for the New Year of 1968. Provenance Archives Imprimerie Arnéra Image Size: 17.3 x 10.9 cm (6.81 x 4.29) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664795964448-VN88GQI2IJ25VOMCKSML/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Jacqueline Lisant, de Trois Quarts Linocut printed in colours, 1962 Not in Bloch; Baer 1294 first state of three, I (of III) An impression printed in black on Arches. Baer records only one such impression of the first state and only two impressions in total of the first state, and six across all states however we know of seven impressions. Inscribed by the printer, Hidalgo Arnéra '14.2.1962 / Tete de Femme / 1er état / essai noir sur fond blanc', in pencil. Stamped in ink on the verso: 'Imprimerie Arnéra / Non Signé / Archives'. Watermark: Arches Provenance Archives Imprimerie Arnéra Image Size: 63.5 x 52.5 cm (25.00 x 20.67 in) Sheet Size: 75.0 x 62.00 cm (29.53 x 24.41 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664795645079-7NJHDECHV6S6T3RFYFM6/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Portrait de jeune Fille, d'après Cranach le Jeune. II Linocuts printed in colours, 1958 Bloch 0859, Baer 1053 An exceptional group of 11 working proofs and a final image of ‘Portrait de jeune Fille, d'après Cranach le Jeune. II’, Picasso's most sought-after linocut. This ensemble is particularly interesting because it is Picasso's most complex use of multiple linocut blocks, one for each colour, in contrast to the 'reductionist' method of making linocuts in several colours from a single block, which the artist later adopted. Shown above is: 12. Baer's 'Superposition des plateaux', B.i (of C.b.). Printed in five colours. Signed in pencil, outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. With an impression of the second state of 'Premier Plateau: le Bistre' on the verso. Image Size: 64 x 53.4 cm Sheet Size: 76.5 x 57 cm Provenance Archives of Imprimerie Arnéra Private Collection, Switzerland POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722002780158-JZZARZLWN5IUIJ28ON5R/image-asset.jpg Pablo Picasso Pablo Picasso (1881-1973) Céret Linocuts printed in colours, 1958 Bloch 1283; Baer 1048 only state, B.c.2 (of B.c.2); Czwikltzer 32; Art of the Poster 43 Signed in the plate. From the editions of 875 on 'vélin' paper without a watermark (unsigned), printed by Imprimerie Arnéra and published by Musée municipal d'art moderne de Céret. Stamped in ink on the verso: 'IMPRIMERIE ARNÉRA / NON SIGNÉ / ARCHIVES'. A fine impression with fresh colours and full margins all around. With soft, handling creases and almost innocuous ink strays margins; otherwise in very good condition. Provenance Archives Imprimerie Arnéra Image Size: 60.3 x 45.0 cm (23.74 x 17.72 in) Sheet Size: 67.0 x 49.6 cm (26.38 x 19.53 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625759614760-TU4DIJIGCCLSRAUYDSP9/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Nu assis Linocut printed in colours, 1962 Bloch 1086; Baer 1330 second state of two, II.B.b (of II.B.b) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches Provenance Archives Imprimerie Arnéra Image Size: 34.9 x 26.9 cm (13.74 x 10.59 in) Sheet Size: 62.7 x 44.1 cm (24.69 x 17.36 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757269926-WHNLBQK5ZMWCL16ZOGWN/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Pique. III Linocut printed in colours, 1959 Bloch 0920; Baer 1243, third state of three, B.b. (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image Size: 53.0 x 64.1cm (20.87 x 25.24 in) Sheet Size: 62.3 x 75.3 cm (24.53 x 29.65 in POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1601910551501-JPHLUKYEZ4AUJ6B8I69P/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Maison Close: le Chocolat. I Sugar-lift aquatint, etching, engraving and scrape, 1955 Not in Bloch; Baer 921 A (of B) One of the only seven proofs of the first state printed by Lacourière, Paris; there was no edition of this subject. Watermark: Arches. Image Size: 49.5 x 64.6 cm (19.5 x 25.4 in) Sheet Size: 56.6 x 76.2 cm (22.3 x 30 in) £9,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664797501084-OXNO1UXNKNRR4YPJ538G/F+13258-1+-+Frederick+Mulder+Ltd+-+Picasso+%27Couple+debout%272.jpg Pablo Picasso Pablo Picasso (1881-1973) La Célestine Etching with aquatint, drypoint and scraper, 1970 Signed in red crayon. Numbered '4/9' and dated 'le 9.9.70.' in red crayon. Watermark: B F K RIVES Provenance Estate of the artist Paul Puaux (gift from the artist) Sheet Size: 74.8 x 105.1 cm (29.45 x 41.38 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537805876341-V1UWS0M38PZ23YP12BBP/F+13258-1+-+Frederick+Mulder+Ltd+-+Picasso+%27Couple+debout%272.jpg Pablo Picasso Pablo Picasso (1881-1973) Couple debout Linocuts printed in colours, 1959 Not in Bloch; Baer 1257 only state An impression printed in 'blanc crème' over a purple background on Arches. Baer records only one to two such impressions, one of which is ours. The other impression is held by the Picasso estate. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Exceptionally rare subject. Watermark: Arches Image size: 52.6 x 64 cm (20.7 x 25.2 in) Sheet size: 62 x 75 cm (24.4 x 29.5 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515165957646-986FXTBWVIDIG1LYV055/F+13590+-+F+Mulder+Ltd+-+Picasso+%27Sculpteur+songeant%2C+Mod%C3%A8le+aux+Cheveux+noirs+et+Bol+avec+trois+An%C3%A9mones%27.jpg Pablo Picasso Pablo Picasso (1881-1973) 'Sculpteur songeant, Modèle aux Cheveux noirs et Bol avec trois Anémones' from the 'Suite Vollard' Etching, 1933 Bloch 177; Baer 330 only state, B.d (of B.d); S.V. 68; HP 329 Signed in pencil. An impression from the edition of 260, also called the regular edition or the small margin edition, printed on vergé de Montval paper. Inscribed '329' in pencil lower left corner. Watermark: Montgolfier Image size: 29.5 x 36.5 cm (11.6 x 14.4 in) Sheet size: 45 x 34 cm (17.7 x 13.4 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537789348316-B6ANN25O74NOQ1BPGS71/F+13605+-+F+Mulder+Ltd+-+Picasso+%27Marie-Th%C3%A9r%C3%A8se+regardant+son+Corps+sculpt%C3%A9%27.jpg Pablo Picasso Pablo Picasso (1881-1973) 'Marie-Thérèse regardant son Corps sculpté' from the 'Suite Vollard' Etching, 1933 Bloch 186; Baer 345 fourth and final state, IV.B.c (of IV.B.d.); S.V. 73; HP 334 Signed in pencil. An impression from the edition of 50, also called the deluxe edition or the large margin edition. Inscribed '334' in pencil lower left corner. Image size: 26.7 x 19.3 cm (10.5 x 7.6 in) Sheet size: 50.4 x 38.3 cm (19.8 x 15.1 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722008496647-I2RO8T9T7EFL668MDMM8/image-asset.jpg Pablo Picasso Pablo Picasso (19881-1973) Madoura Linocut printed in colour, 1961 Bloch 1021; Baer 1271, second state of two, II.B.b (of II.B.b) An impression from the edition of 71, printed by Imprimerie Arnéra and published by Galerie Madoura. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". This subject was used as an exhibition invitation for Galerie Madoura 1961, but was also published in a numbered edition. Provenance Archives Imprimerie Arnéra Image Size: 10.0 x 22.0 cm (3.94 x 8.66 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515166437983-AYXL5QY852FZ7D417JS2/F+13600+-+F+Mulder+Ltd+-+%27Fl%C3%BBtiste+et+trois+Femmes+nues%27+from+the+%27Suite+Vollard%27.jpg Pablo Picasso Pablo Picasso (1881-1973) 'Flûtiste et trois Femmes nues' from the 'Suite Vollard' Drypoint and scraper, 1932 Bloch 144; Baer 258 only state, B.c (of B.d); S.V. 11; HP 301 An impression from the edition of 50, also called the deluxe edition or the large margin edition. Inscribed '301' in pencil lower left corner. Watermark: Montgolfier Image size: 29.5 x 36.5 cm (11.6 x 14.4 in) Sheet size: 38.6 x 50.3 cm (15.2 x 19.8 in) £6,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537789097802-VS7SPRARFBU17Q1W8RIX/F+13484+-+F+Mulder+Ltd+-+Picasso+%27Sculpteur+et+son+mod%C3%A8le+avec+un+groupe+sculpt%C3%A9+repr%C3%A9sentant+un+taureau+attaquant+des+chevaux%27.jpg Pablo Picasso Pablo Picasso (1881-1973) 'Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux' from the 'Suite Vollard' Etching, 1933 Bloch 0166; Baer 319 only state, B.d. (of B.d); S.V. 57 An impression from the edition of 260, also called the regular edition or the small margin edition, printed on vergé de Montval paper. Inscribed in pencil '49 / 18'. Watermark: Picasso Image size: 19.4 x 26.6 cm (7.6 x 10.5 in) Sheet size: 34 x 44.7 cm (13.4 x 17.6 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664797008735-TG2IFKOFV67CHUWZI1CE/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Tête de Garçon. III Linocut printed in black, 1962 Bloch 1026; Baer 1290 second state of two, II.B.b (of II.B.b.) Signed in pencil. Dedicated in pencil 'Pour Arnera fils' that translates into 'For Arnera's son'. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image Size: 34.9 x 27.2 cm (13.74 x 10.71 in) Sheet Size: 62.8 x 44.5 cm (24.72 x 17.52 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537795985242-KWL6O521ZGWF4NHDDUH6/F+13270+-+Frederick+Mulder+Ltd+-+Picasso+%27Femmes++%C3%A0+leur+Toilette%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Femmes à leur Toilette Linocut printed in black, 1956 Not in Bloch; Baer 1037 'Deuxième plateau: le noir' only state, A.dp.a (of B) Printed in black on Arches. Baer records only one or two impressions in which the paper has been firmly pressed into the linoleum plate. This creates a relief in which each groove made by the gouge is inked and therefore can be seen. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Exceptionally rare in this form. Watermark: Arches Image size: 55.1 x 51.7 cm (21.7 x 20.4 in) Sheet size: 75 x 62 cm (29.5 x 24.4 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537794461787-WGGU4HN94MYPKXGWJKI2/F+13133+-+Frederick+Mulder+Ltd+-+Picasso+%27Profil+de+Jacqueline+I%2C+II%2C+III%2C+IV%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Profil de Jacqueline I, II, III, IV Linocuts printed in brown, 1956 Not in Bloch; Baer 1038-41, b (of b) Four linoleum blocks printed in brown on one sheet. There was no edition. Picasso had the four heads printed on a single sheet. Baer records one to two such impressions. The artist also had one to two impressions of each head printed individually. Stamped in ink on the verso: 'Imprimerie Arnéra Archives / Non Signé'. Of the utmost rarity. Image Size: 50.5 x 41 cm (19.9 x 16.1 in) Sheet Size: 67.5 x 50.2 cm (26.6 x 19.8 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625759254095-PV24URK03LSCRLJB35SQ/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Jacqueline au Bandeau de Face Linocut printed in colours, 1962 Bloch 1069; Baer 1303, third state of three B.b (of B.b.) Signed in pencil. ‘Epreuve d’artiste’ of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records three to four such impressions. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64.2 x 53.0 cm (25.28 x 20.87 in) Sheet size: 75.3 x 62 cm (29.65 x 24.41 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625755420021-BXN1MA5S07W9HGAGZ64G/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Picador et Torero attendant le Paseo de Cuadrillas Linocut printed in colours, 1959 Bloch 0906; Baer 1231 second state of two, B.b (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches Provenance Archives Imprimerie Arnéra Image size: 53.3 x 64.3cm (20.98 x 25.31 in) Sheet size: 62.4 x 75.3 cm (24.57 x 29.65 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537796458607-7VFZ0WBFT5MFNULTNSV1/F+11825-3+-+Frederick+Mulder+Ltd+-+Picasso+%27Avant+la+Pique+II%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Avant la Pique. II Linocut printed in colours, 1959 Bloch 0941; Baer 1224 A complete set of working states for this subject, including the finished state. Three impressions in all. The last state is an 'Epreuve d'essai' of the definitive form before the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records two such impressions, however a few more are known to us that must not have been seen by Baer. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Image size: 55 x 67 cm (21.6 x 26.4 in) Sheet size: 60 x 70 cm (23.6 x 27.6 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722005212039-MM2RNPFAOV21BZOQVZU9/image-asset.jpg Pablo Picasso - Grenouille Pablo Picasso (1881 - 1973) Grenouille Linocut printed in colour, 1959 Not in Bloch; Baer 1215 only state An impression printed in vibrant green directly onto paper, printed by Imprimerie Arnéra. Baer records two to three such impressions. There was no edition of this subject making it of the utmost rarity. Inscribed '1956 - LA GRENOUILLE - LINOGRAVURE ORIGINALE DE PICASSO' and signed in pencil by the printer. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". With fresh colour and margins all around. Left margin with a deckled edge and with a couple of innocuous, tiny spots of black ink on the surface of the image; otherwise in perfect condition. Provenance Archives Imprimerie Arnéra Image Size: 22.3 x 16.5 cm (8.78 x 6.5 in) Sheet Size: 33.6 x 25.5 cm (13.23 x 10.04 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537869572958-LU5IOSLVT9JX0X6LISW4/F+13201+-+Frederick+Mulder+Ltd+-+Picasso+%27Femme+nue+p%C3%AAchant+des+Truites+%C3%A0+la+Main%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Femme nue pêchant des Truites à la Main Linocut printed in colours, 1962-63 Not in Bloch; Baer 1327 second state of three, II (of III) A proof printed thinly in brown over a brown and a light brown background. Baer records three such impressions, only one of which is printed in brown. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Watermark: Arches Image size: 53 x 64 cm (20.9 x 25.2 in) Sheet size: 62 x 75 cm (24.4 x 29.5 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537796369125-NU4O16HTH2040Y7IGK8R/F+11812+-+Frederick+Mulder+Ltd+-+Picasso+%27L%27Aubade+avec+Femme+dans+un+Fauteuil%27.jpg Pablo Picasso Pablo Picasso (1881-1973) L'Aubade avec Femme dans un Fauteuil Linocut printed in colours, 1959 Bloch 0917; Baer 1232 second state of two, II.A (of II B.b) 'Epreuve d'essai' of the definitive form before the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records three such impressions on 'vélin'. Since ours is on offset paper, at least one more impression must have been printed and not seen by Baer. Exceptionally rare on this paper. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Image size: 53 x 64 cm (20.9 x 25.2 in) Sheet size: 60 x 75 cm (23.6 x 29.5 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515074035587-C1OFWIY1JZIZWKZKIY9G/F+12025+-+F+Mulder+Ltd+-+Picasso+%27Exposition+Vallauris+1963%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Exposition Vallauris 1963 Linocut printed in colours, 1963 Bloch 1300, Baer 1341 only state, A (of B.b); Czwiklitzer 50; Art of the Poster 20 Signed in the plate. 'Epreuve d'essai' of the definitive form on 'Roto Blanc' paper before the signed and numbered edition of 170 on Arches, printed by Imprimerie Arnéra and published by Association des potiers de Vallauris. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Note Picasso produced an 'Exposition Vallauris' poster for the exhibition of ceramics in the town of Vallauris each year from 1951-1964. Image size: 63 x 53 cm (24.8 x 20.9 in) Sheet size: 75 x 62 cm (29.5 x 24.4 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515768598360-2FR113QR6GRV2UPJEMVZ/F+12605+-+F+Mulder+Ltd+-+Picasso%2C+%27Exposition+de+Vallauris+1962%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Exposition de Vallauris 1962 Linocut printed in colours, 1962 Bloch 1299; Baer 1335 only state, B.b (of B.b); Czwiklitzer 48; Art of the Poster 22 Signed in the plate. An impression printed in brown over a yellow background, outside the edition of 120 on 'Roto Blanc' paper, printed by Imprimerie Arnéra and published by the Association des potiers de Vallauris. Although printed on 'Roto Blanc' paper, this impression does not have the 'Hors Commerce' stamp recorded by Baer in the edition of 120 on 'Roto Blanc' paper. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Image size: 64 x 53 cm (25.2 x 20.9 in) Sheet size: 75 x 62 cm (29.5 x 24.4 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757998619-WPB2Y29G2T9ATBRAY8S6/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Femme assise en Pyjama de Plage. II Linocut printed in colours, 1961 Bloch 1062; Baer 1276 only state Signed and dated 'le 25.7.61' in pencil. Dedicated in pencil 'Pour Monsieur Arnera fils' that translates into 'For Mister Arnera's son'. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 39.3x 29.9cm (15.47 x 11.77 in) Sheet size: 54.9 x 43.1 cm (21.61 x 16.97 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537799965545-6G66OEWS6UTHMOKRL31B/F+12828+-+F+Mulder+%27Farol%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Farol Linocut printed in colours, 1959 Bloch 0945; Baer 1223 second and final state, II.A (of II.B.b) A working proof printed in black and brown over a light brown background on 'offset fort' paper from before the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Image size: 16.5 x 22.6 cm (6.5 x 8.9 in) Sheet size: 33.5 x 51 cm (13.2 x 20.1 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625758224352-ABP87PO2Q5U2PP6JG7KC/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Nu Linocut printed in black, 1962 Not in Bloch; Baer 1316 third state of three, III (of III.c) Stamped in ink on the verso "Imprimerie Arnéra Archives / Non Signé". A working proof printed in black directly onto ‘papier ordinaire’ (thin paper, polished on recto and matt on the verso, not unlike poster paper). This impression has a large area of printing ink at the left edge of the image and left margin, perhaps from another plate. The purpose of this additional inking is not clear. Extremely rare in this form, Baer records no impressions printed in black only. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 63 x 27 cm (24.8 x 10.63 in) Sheet size: 75 x 60 cm (29.53 x 23.62 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757725569-OTAPKTBS7024F1T7FBVB/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Picador et Torero attendant le Paseo de Cuadrillas Linocut printed in colours, 1959 Bloch 0914; Baer 1242 third state of three, III.b (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64.4 x 53.4cm (25.35 x 21.02 in) Sheet size: 75.1 x 62.1 cm (29.57 x 24.45 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722009000876-JWAS9WG8ZGECBMP57PH9/image-asset.jpg Pablo Picasso Pablo Picasso (1881-1973) Jeune homme apportant une écuelle à un vieillard, Issac et Jacob Linocut printed in colours, 1961 Not in Bloch; Baer 1271 only state, A (of C) An impression printed in 'blanc crème' over a black background. Baer records that no known impression is printed without the first state of Madoura (Baer 1270); as our impression is printed on its own, an impression of this subject in its definitive form must have been made and not seen by Baer. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Exceptionally rare in this form. Watermark: Arches Provenance: Archives Imprimerie Arnéra Image Size: 22.0 x 10.0 cm (8.66 x 3.94 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515073375208-L8AR3HD9E8P0NO1BKNU5/F+12692+-+F+Mulder+Ltd+-+Picasso+%27Madoura+1961%27+%282%29.jpg Pablo Picasso Pablo Picasso (1881-1973) Madoura 1961 Linocut printed in colours, 1961 Bloch 1296; Baer 1272 only state, A (of C); Czwiklitzer 41; Art of the Poster 41 Signed in the plate. 'Epreuve d'essai' of the definitive form before the signed and numbered edition of 100 on Arches, printed by Imprimerie Arnéra and published by Galerie Madoura, Cannes. Baer records one inscribed 'épreuve d'essai' and a number of uninscribed impressions. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Watermark: Arches Image size: 64 x 53 cm (25.2 x 20.9 in) Sheet size: 75 x 62 cm (29.5 x 24.4 in) £2,600 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537888834999-1SOH6QY0N8PN6QZMJQ7E/F+13569+-+Frederick+Mulder+Ltd+-+Picasso+%27L%27Etreinte+II%27.jpg Pablo Picasso Pablo Picasso (1881-1973) L'Etreinte II Linocut 'rincée', 1963 Bloch 1150; Baer 1344 A (of B.b.) Signed in pencil. A linocut 'rincée' with full margins on Arches wove paper, signed and numbered 19/50 in pencil. The impression was published in an edition of 50 by the Galerie Louise Leiris. Image size: 53 x 63.6 cm (20.9 x 25 in) Sheet size: 62.1 x 75.2 cm (24.4 x 29.6 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625758748700-3MW4OKJ2JOE6DUE8TPIA/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Grande Tête de Jacqueline au Chapeau Linocut printed in colours, 1962 Bloch 1077; Baer 1317, Superposition des plateaux B.b.2 (of B.b.2) Signed in pencil. ‘Epreuve d’artiste’ of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records three to four such impressions. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64. x 53.0 cm (25.24 x 20.87 in) Sheet size: 75.3 x 62.36 cm (29.65 x 24.53 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1568377747338-LU5IW2P68XCQRWPYSKUT/13064.jpg Pablo Picasso Pablo Picasso (1881-1973) Tête d'Histrion Linocut printed in colours, 1965 Bloch 1849, Baer 1360 only state, A (of B.b.) 'Epreuve d'essai' of the definitive form before the edition of 220, printed by Imprimerie Arnéra and published by Musée des Augustins de Toulouse. Baer records three to four such impressions. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Watermark: Arches Image size: 64.3 x 53 cm (25.3 x 20.9 in) Sheet size: 75.3 x 62 cm (29.6 x 24.4 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625759730174-PDK5ZU8KBH6X3RCDOO9E/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Tête de Bouffon. Carnaval 1965 Linocuts printed in colours, 1965 Bloch 1193; Baer 1356 second state of two, II.B.b (of II.B.b) Signed twice, once in the lower left corner as customary, and a second time after the dedication. Dated 'le 18.2.65' and dedicated in pencil 'Pour Arnera fils' that translates into 'For Arnera's son'. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64.2 x 52.6 cm (25.28 x 20.71 in) Sheet size: 75.3 x 62.2 cm (29.65 x 24.49 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1568377367485-QWGWX9F49JYTUR12GP24/12239.jpg Pablo Picasso Pablo Picasso (designed by) (1881-1973) Vallauris 1953 - Exposition Linocut printed in black, 1953 Not in Bloch; Not in Baer; Czwiklitzer 68; Art of the Poster 7 Signed in the plate. In all probability Picasso prepared a drawing for this subject, which was then transferred by photogravure to a zinc plate, which has the same properties as linoleum for printing. Picasso had not yet started to cut lino blocks for posters; his Toros Vallauris 1954 poster was the first of the Vallauris posters for which Picasso actually cut the blocks. Printed in black on a paper which had been manufactured with stripes of colour. This type of paper was sometimes used for commercial posters and flyers in the 1950s, and Picasso was obviously attracted by its lively character. Some impressions of this subject were printed on small format paper (68 x 52 cm), others on larger format paper (81 x 59 cm), Czwiklitzer records impressions in both sizes. According to Czwiklitzer the edition was as many as 2000, but as the subject is now exceptionally rare, it seems likely that there were far fewer impressions, printed and released. Our impression therefore is very scarce, especially with such exceptional fresh colours. Stamped in ink on the verso, 'Imprimerie Arnéra Archives / Non Signé'. Image size : 63 x 50 cm (24.8 x 19.7 in) Sheet size : 68 x 52 cm (26.8 x 20.5 in) £1,200 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757725569-OTAPKTBS7024F1T7FBVB/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Picador et Torero attendant le Paseo de Cuadrillas Linocut printed in colours, 1959 Bloch 0914; Baer 1242 third state of three, III.b (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64.4 x 53.4cm (25.35 x 21.02 in) Sheet size: 75.1 x 62.1 cm (29.57 x 24.45 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625756724555-Z5JQK744J0DX3X7R80MG/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Taureau et Picador Linocut printed in colours, 1959 Bloch 0910; Baer 1230, second state of two, B.b (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 53.3 x 64.3cm (20.98 x 25.31 in) Sheet size: 62.4 x 75.3 cm (24.57 x 29.65 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757487078-SB36TMTYC8DXLVPIIYD4/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) La pique cassée Linocut printed in colours, 1959 Bloch 0921; Baer 1244 only state, B.b. (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 53.3 x 65.1cm (20.98 x 25.63 in) Sheet size: 62.2 x 75.4 cm (24.49 x 29.69 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625754174836-JM8XE3TXVWF4XJEMF43F/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Exposition Vallauris - 57 Linocut printed in brown, 1957 Bloch 1277; Baer 1044 only state, B (of B) Signed in blue crayon. Dated 'le 19.7.57' in blue crayon. Dedicated in blue crayon 'Pour le fils Arnera son ami' that translates into 'For Arnera's son his friend'. Printed on thick offset paper. Provenance Archives Imprimerie Arnéra Image size: 63.2 x 53.1 cm (24.88 x 20.91 in) Sheet size: 100.41 x 67 cm (39.53 x 26.38 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1639999279851-Y92SRV9NTJYWGRHIMAMA/image-asset.jpg Pablo Picasso Pablo Picasso (1881-1973) Portrait de Jacqueline accoudée Linocut printed in colours, 1959 Bloch 0922; Baer 1240, only state B.b (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches Provenance Archives Imprimerie Arnéra Image size: 64.3 x 53.2cm (25.31x 20.94 in) Sheet size: 75.31 x 62.3 cm (29.65 x 24.53 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625756319551-TQ66TI4SMH0MDZNYW0VP/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Picador et Torero attendant le Paseo de Cuadrillas Linocut printed in colours, 1959 Bloch 0907; Baer 1229 fourth state of four, B.b (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 53.2 x 64.2cm (20.94 x 25.28 in) Sheet size: 62.2 x 75.3 cm (24.49 x 29.65 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625759730174-PDK5ZU8KBH6X3RCDOO9E/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Tête de Bouffon. Carnaval 1965 Linocuts printed in colours, 1965 Bloch 1193; Baer 1356 second state of two, II.B.b (of II.B.b) Signed twice, once in the lower left corner as customary, and a second time after the dedication. Dated 'le 18.2.65' and dedicated in pencil 'Pour Arnera fils' that translates into 'For Arnera's son'. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64.2 x 52.6 cm (25.28 x 20.71 in) Sheet size: 75.3 x 62.2 cm (29.65 x 24.49 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1601910163124-JZOWHTJV6WHTZ9OB0WMT/picasso-13591.jpg Pablo Picasso Pablo Picasso (1881-1973) Sculpteur et modèle se regardant dans un miroir calé sur un autoportrait sculpté, from the Suite Vollard Etching, 1933 Bloch 178; Baer 331 only state, B.d (of B.d); S.V. 69; HP 330 Signed in pencil. An impression from the edition of 260, also called the regular edition or the small margin edition, printed on vergé de Montval paper. Inscribed '330' in pencil lower left corner. Watermark: Vollard Image size: 29.5 x 37 cm (11.6 x 14.6 in) Sheet size: 34 x 45 cm (13.4 x 17.7 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515072245797-NMXWEJEL5GFAXKP02ZIU/F+13683+-+F+Mulder+Ltd+-+Picasso+%27L%27Aubade%2C+avec+Femme+Accoud%C3%A9e%27.jpg Pablo Picasso Pablo Picasso (1881-1973) L'Aubade, avec Femme Accoudée Linocuts printed in colours, 1959 Not in Bloch; Baer 1233 first state of three, I (of III) An impression of the first state printed in brown over a beige background. Baer records seven or eight such impressions, however we know of several more. Although no edition of this subject was made, Picasso continued to work the block after the first state, producing a second state, and a third and final state. These latter two states are extremely rare with Baer recording just three of the second state and two of the third. Stamped in ink on the verso "Imprimerie Arnéra Archives / Non Signé". Watermark: Arches Image size: 53.1 x 64 cm (20.9 x 25.2 in) Sheet size: 62.1 x 75.3 cm (24.4 x 29.6 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537796115262-T3QZDB6HN1W39A3U91TQ/F+13770+-+F+Mulder+Ltd+-+Picasso+%27Bacchanal%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Bacchanal Lithograph printed in colours, 1956 Bloch 795; Mourlot 280 A proof outside the edition of 3,000 on wove paper. Picasso used a crayon lithograph on transfer paper which was transferred to zinc. This subject was used as the cover for the third volume of the four volume edition 'Picasso Lithographs', published by André Sauret. Image size: 33.1 x 52.7 cm (13 x 20.8 in) Sheet size: 52 x 65.2 cm (20.5 x 25.7 in) £1,400 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1601915060061-CGP2MQMZ8Q6ZYP8UPMJF/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Bacchanale avec Chevreau et Spectateur Linocut printed in colours, 1959 Bloch 0931; Baer 1260 B (of B.f.2.) Printed from the first state of 'Premiers plateaux: le ciel et Lac' (sky and lake block) and the second state of 'Deuxième plateau: le sol' (landscape block) in green over the first state in brown. Unrecorded by Baer with such a combination of plates. Annotated by the printer, Hidalgo Arnéra, in the top and right margins. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Watermark: Arches Image Size: 53 x 64 cm (20.9 x 25.2 in) Sheet Size: 62 x 75 cm (24.4 x 29.5 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515071686737-0APUABU67MMJLWQIFQR7/F+12638+-+F+Mulder+Ltd+-+Picasso+%27Toros+en+Vallauris+1955%27+-+detail.jpg Pablo Picasso Pablo Picasso (1881-1973) Toros en Vallauris 1955 Linocut printed in colours, 1955 Bloch 1265; Baer 1029 only state, B (of B); Czwiklitzer 14; Art of the Poster 25 Signed in the plate. An impression printed in blue, red and yellow, outside the edition of 100 signed impressions, printed by Imprimerie Arnéra and published by the Association des potiers de Vallauris. Impressions of this subject are now exceptionally rare, and almost unknown in such fresh condition. Stamped in ink on the verso: 'Imprimerie Arnéra Archives / Non Signé'. Watermark: Registres Torpes Note Picasso produced an original linocut to be used as a poster for the bullfighting in the town of Vallauris each year from 1954-1960. Image size: 66.5 x 52 cm (26.2 x 20.5 in) Sheet size: 90 x 59 cm (35.4 x 23.2 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1601913490351-L719654ATMYWW7QO0R7R/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Le Banderillero Linocut printed in colours, 1959 Bloch 0940; Baer 1225 A group of five working proofs, including a background plate and a finished state. The last state is an ‘Epreuve d’essai’, printed on ‘offset’ paper before the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. The edition was printed on Arches paper. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Image Size: 52.5 x 63.8 cm (20.7 x 25.1 in) Sheet Size: 62 x 75 cm (24.4 x 29.5 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757269926-WHNLBQK5ZMWCL16ZOGWN/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Pique. III Linocut printed in colours, 1959 Bloch 0920; Baer 1243, third state of three, B.b. (of C) Signed in pencil. 'Epreuve d'artiste' of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 53.0 x 64.1cm (20.87 x 25.24 in) Sheet size: 62.3 x 75.3 cm (24.53 x 29.65 in POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515071955912-25HYO78K06KS3GJC64IR/F+12658+-+F+Mulder+Ltd+-+Picasso+%27Vallauris+1956+Toros%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Vallauris 1956 Toros Linocut printed in colours, 1956 Bloch 1270; Baer 1043 only state, A (of B); Czwiklitzer 18; Art of the Poster 26 Signed in the plate. 'Epreuve d'essai' of the definitive form printed on 'Roto Blanc' paper before the signed and numbered edition of 200 on Arches, printed by Imprimerie Arnéra and published by the Association des potiers de Vallauris. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Note Picasso produced an original linocut to be used as a poster for the bullfighting in the town of Vallauris each year from 1954-1960. Image size: 66 x 54 cm (26 x 21.3 in) Sheet size: 100 x 65.7 cm (39.4 x 25.9 in) £5,300 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515071584486-9RFYIVYCE4B0ES7AC2PZ/F+11912+-+Picasso+-+Exposition+55+Vallauris.jpg Pablo Picasso Pablo Picasso (1881-1973) Exposition 55 Vallauris Linocut printed in brown, 1955 Bloch 1268; Baer 1032 only state, B (of B); Czwiklitzer 17; Art of the Poster 10 Signed in the plate. From the edition of 600, printed by Imprimerie Arnéra and published by the Association des potiers de Vallauris. Although Baer mentions an edition of 600, impressions of this print are only rarely seen. Printed on 'Roto Blanc' paper. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Note Picasso designed one 'Exposition Vallauris' poster each year from 1951 to 1964; in 1955, unusually, he produced three such posters, Baer 1030 to 1032. The first variant, Baer 1030, combines the outline of a vase with the traits of a face. The second poster, Baer 1031, represents the head of a Roman faun. In the third variant, Baer 1032, the words "Exposition" (exhibition) and "Vallauris" are connected by a radiant sun, with the letters so arranged that they show the smiling face of the sun - a highly integrated fusion of image and text. Image size: 66 x 53 cm (26 x 20.9 in) Sheet size: 100 x 67 cm (39.4 x 26.4 in) £1,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625758748700-3MW4OKJ2JOE6DUE8TPIA/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Grande Tête de Jacqueline au Chapeau Linocut printed in colours, 1962 Bloch 1077; Baer 1317, Superposition des plateaux B.b.2 (of B.b.2) Signed in pencil. ‘Epreuve d’artiste’ of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records three to four such impressions. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64. x 53.0 cm (25.24 x 20.87 in) Sheet size: 75.3 x 62.36 cm (29.65 x 24.53 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1537799827326-LW9309JI7QVFURZH8RHE/F+12414-3+-+Frederick+Mulder+Ltd+-+Picasso+%27Bacchanale+au+Hibou%27.jpg Pablo Picasso Pablo Picasso (1881-1973) Bacchanale au Hibou Linocut printed in colours, 1959 Bloch 0938; Baer 1265 A group of four proofs, including the background plate, the definitive state and an early, unrecorded first state. The last state is an 'Epreuve d'essai' of the defintive form before the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records three such impressions. Stamped in ink on the verso, "Imprimerie Arnéra Archives / Non Signé". Watermark: Arches Image size: 53 x 64 cm (20.9 x 25.2 in) Sheet size: 62 x 75 cm (24.4 x 29.5 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625757998619-WPB2Y29G2T9ATBRAY8S6/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Femme assise en Pyjama de Plage. II Linocut printed in colours, 1961 Bloch 1062; Baer 1276 only state Signed and dated 'le 25.7.61' in pencil. Dedicated in pencil 'Pour Monsieur Arnera fils' that translates into 'For Mister Arnera's son'. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 39.3x 29.9cm (15.47 x 11.77 in) Sheet size: 54.9 x 43.1 cm (21.61 x 16.97 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394799613148-TT9TYV31YCFUI0HN9XTR/picasso-12958.jpg Pablo Picasso - Picasso 'Buste de Femme (and Dedication Plate)' Pablo Picasso (1881-1973) Buste de Femme (and Dedication Plate) Etching, 1925 Not in Bloch; not in Baer Three etchings printed by the artist on a single sheet. Two of the etchings depict the face and bust of a woman and have been printed from the same plate. The third etching, printed from the reverse of the plate, is a dedication reading "Pour Boris/ Paris/ 9 avril 1925". The etchings were discovered only recently in the correspondence of Boris Kochno and are not recorded by Baer in her catalogue raisonné of the graphic works of Pablo Picasso; quite possibly unique. Authenticated by Administration Picasso and sold with their Certificate of Authenticity. Image size : 4.0 x 3.3 cm (1.57 x 1.3 in) Sheet size : 12.0 x 15.0 cm (4.72 x 5.91 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1625759254095-PV24URK03LSCRLJB35SQ/image-asset.jpeg Pablo Picasso Pablo Picasso (1881-1973) Jacqueline au Bandeau de Face Linocut printed in colours, 1962 Bloch 1069; Baer 1303, third state of three B.b (of B.b.) Signed in pencil. ‘Epreuve d’artiste’ of the definitive form outside the edition of 50, printed by Imprimerie Arnéra and published by Galerie Louise Leiris. Baer records three to four such impressions. Watermark: Arches. Provenance Archives Imprimerie Arnéra Image size: 64.2 x 53.0 cm (25.28 x 20.87 in) Sheet size: 75.3 x 62 cm (29.65 x 24.41 in) POA http://www.frederickmulder.com/karl-bodmer daily 0.75 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394725082681-F7Q6MMZWSEU93U6UWWVZ/bodmer-4877.jpg Karl Bodmer - Bodmer 'Animals and Landscapes after Nature: Le matin: Cerf et Biches' Karl Bodmer (1809 - 1893) Animals and Landscapes after Nature: Le matin: Cerf et Biches Lithograph, 1858 Loys Delteil: Karl Bodmer L'Artiste. Revue de l'Art contemporain, Paris, 1894, Nos. 70-81 (the set). Beraldi 50 Plate 3, from the set of 12. Printed in black with a beige tint stone. Published by Goupil, Paris, 1858. With a letterpress inscription below the image giving the names of the artist, printer, and publisher, and with the title of the subject. Note Karl Bodmer, born in Zurich in 1809, visited the American wild west from 1832-34 as the official draughtsman of the expedition led by Prince Maximilian. He was thus one of the first European artists to visit the American west. The etchings and lithographs of North American Indians he made on his trip brought him immediate fame and are very sought after today. He also received invitations to return to the United States for further work and did briefly return to the States before choosing to settle in France. There he became one of the well-known group of Barbizon artists, along with J.F.Millet and Theodore Rousseau. It was in Barbizon that he created the lithograph described here. Image size : 28.9 x 46.6 cm (11.38 x 18.35 in) £80 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394725082681-F7Q6MMZWSEU93U6UWWVZ/bodmer-4877.jpg Karl Bodmer - Bodmer 'Animals and Landscapes after Nature: Le matin: Cerf et Biches' Karl Bodmer (1809 - 1893) Animals and Landscapes after Nature: Le matin: Cerf et Biches Lithograph, 1858 Loys Delteil: Karl Bodmer L'Artiste. Revue de l'Art contemporain, Paris, 1894, Nos. 70-81 (the set). Beraldi 50 Plate 3, from the set of 12. Printed in black with a beige tint stone. Published by Goupil, Paris, 1858. With a letterpress inscription below the image giving the names of the artist, printer, and publisher, and with the title of the subject. Note Karl Bodmer, born in Zurich in 1809, visited the American wild west from 1832-34 as the official draughtsman of the expedition led by Prince Maximilian. He was thus one of the first European artists to visit the American west. The etchings and lithographs of North American Indians he made on his trip brought him immediate fame and are very sought after today. He also received invitations to return to the United States for further work and did briefly return to the States before choosing to settle in France. There he became one of the well-known group of Barbizon artists, along with J.F.Millet and Theodore Rousseau. It was in Barbizon that he created the lithograph described here. Image size : 28.9 x 46.6 cm (11.38 x 18.35 in) £80 http://www.frederickmulder.com/charles-meryon daily 0.75 2014-07-25 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394197039187-KSTYZBOSZZEZP94ALRF2/meryon-11522.jpg Charles Meryon - Meryon 'L'Arche du Pont Notre-Dame, Paris' Charles Meryon (1821 - 1868) L'Arche du Pont Notre-Dame, Paris Etching, 1853 Delteil-Wright 25; Schneiderman 28, fourth state of seven. Printed on green laid paper. Image size : 15.3 x 19.2 cm (6.02 x 7.56 in) Sheet size : 20.8 x 24.4 cm (8.19 x 9.61 in) £2,800 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394197039187-KSTYZBOSZZEZP94ALRF2/meryon-11522.jpg Charles Meryon - Meryon 'L'Arche du Pont Notre-Dame, Paris' Charles Meryon (1821 - 1868) L'Arche du Pont Notre-Dame, Paris Etching, 1853 Delteil-Wright 25; Schneiderman 28, fourth state of seven. Printed on green laid paper. Image size : 15.3 x 19.2 cm (6.02 x 7.56 in) Sheet size : 20.8 x 24.4 cm (8.19 x 9.61 in) £2,800 http://www.frederickmulder.com/astrid-meyer daily 0.75 2018-01-12 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394197205405-MOKK3JEMP3FVKDMUKGJ4/meyer-13483.jpg Astrid Meyer Astrid Meyer Fishwives An impression printed on very thin Japan paper. Astrid Meyer studied at the Grosvenor School of Modern Art in London and exhibited in linocut exhibitions organised by Claude Flight during the 1930s. The scene depicted is Dutch and is probably somewhere like Veere, a picturesque fishing village in Zeeland, Holland, where Flight and several of his followers visited. Image size : 20.5 x 27.4 cm (8.07 x 10.79 in) Sheet size : 26.8 x 31.6 cm (10.55 x 12.44 in) £6,000 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394197205405-MOKK3JEMP3FVKDMUKGJ4/meyer-13483.jpg Astrid Meyer Astrid Meyer Fishwives An impression printed on very thin Japan paper. Astrid Meyer studied at the Grosvenor School of Modern Art in London and exhibited in linocut exhibitions organised by Claude Flight during the 1930s. The scene depicted is Dutch and is probably somewhere like Veere, a picturesque fishing village in Zeeland, Holland, where Flight and several of his followers visited. Image size : 20.5 x 27.4 cm (8.07 x 10.79 in) Sheet size : 26.8 x 31.6 cm (10.55 x 12.44 in) £6,000 http://www.frederickmulder.com/richard-ranft daily 0.75 2014-08-11 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394734056262-6MQQM99JHFXUCE6HWQDT/ranft-13401.jpg Richard Ranft - Ranft 'Trottins' Richard Ranft (1862 - 1931) Trottins Etching, 1894 Stein and Karshan (L'Estampe Originale) 61 Signed in pencil and inscribed 'Bon à Tirer'. The definitive proof for the edition of 100, as published in 'L'Estampe Originale', Plate 78, vol VIII, 1894. Image size: 25.5 x 40cm (10.04 x 15.75in) Sheet size: 33 x 48.3cm (12.99 x 19.02in) https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394734056262-6MQQM99JHFXUCE6HWQDT/ranft-13401.jpg Richard Ranft - Ranft 'Trottins' Richard Ranft (1862 - 1931) Trottins Etching, 1894 Stein and Karshan (L'Estampe Originale) 61 Signed in pencil and inscribed 'Bon à Tirer'. The definitive proof for the edition of 100, as published in 'L'Estampe Originale', Plate 78, vol VIII, 1894. Image size: 25.5 x 40cm (10.04 x 15.75in) Sheet size: 33 x 48.3cm (12.99 x 19.02in) http://www.frederickmulder.com/karl-schmidt-rottluff daily 0.75 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1396357406066-46M7B2LW3O2EKKQ5N18C/schmidt-rottluff-13149.jpg Karl Schmidt-Rottluff - Schmidt-Rottluff 'Die Sonne' Karl Schmidt-Rottluff (1884 - 1976) Die Sonne Woodcut, 1914 Schapire 152 Signed in pencil, from the edition of 75. Printed on fine laid paper. With the inventory number of Kulturhistorisches Museum Rostock "K27cG" inscribed in pencil on the verso. This subject is the third of a portfolio entitled 'Zehn Holzschnitte' made up of ten woodcuts plus a woodcut Table of Contents, which was published by JB Neumann, Berlin, in 1919. Our impression comes from the portfolio numbered "31". Note: The English translation of the title is "The Sun". Image size : 39.4 x 49.5 cm (15.51 x 19.49 in) Sheet size : 50.8 x 62.2 cm (20.0 x 24.49 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1396357406066-46M7B2LW3O2EKKQ5N18C/schmidt-rottluff-13149.jpg Karl Schmidt-Rottluff - Schmidt-Rottluff 'Die Sonne' Karl Schmidt-Rottluff (1884 - 1976) Die Sonne Woodcut, 1914 Schapire 152 Signed in pencil, from the edition of 75. Printed on fine laid paper. With the inventory number of Kulturhistorisches Museum Rostock "K27cG" inscribed in pencil on the verso. This subject is the third of a portfolio entitled 'Zehn Holzschnitte' made up of ten woodcuts plus a woodcut Table of Contents, which was published by JB Neumann, Berlin, in 1919. Our impression comes from the portfolio numbered "31". Note: The English translation of the title is "The Sun". Image size : 39.4 x 49.5 cm (15.51 x 19.49 in) Sheet size : 50.8 x 62.2 cm (20.0 x 24.49 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1395146187468-4LD9M04H4N5VQ6VP5M1F/schmidt-rottluff-13151.jpg Karl Schmidt-Rottluff - Schmidt-Rottluff 'Bei den Netzen' Karl Schmidt-Rottluff (1884 - 1976) Bei den Netzen Woodcut, 1914 Schapire 165 Signed in pencil, from the edition of 75. Printed on fine laid paper. With the inventory number of Kulturhistorisches Museum Rostock "K27dG' inscribed in pencil on the verso. This subject is the fifth of a portfolio entitled 'Zehn Holzschnitte' made up of ten woodcuts plus a woodcut Table of Contents, which was published by JB Neumann, Berlin, in 1919. Our impression comes from the portfolio numbered "31". Note: The English translation of the title is "By the Nets". Image size : 40.0 x 49.5 cm (15.75 x 19.49 in) Sheet size : 50.8 x 61.5 cm (20.0 x 24.21 in) POA http://www.frederickmulder.com/kurt-seligmann daily 0.75 2016-01-18 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1396349334085-RV2R306T6O55Y253B7N0/seligmann-13356.jpg Kurt Seligmann - Seligmann 'Untitled', from the portfolio "VVV" Kurt Seligmann (1900 - 1964) Untitled, from the portfolio "VVV" Etching, 1942 Signed and dated in pencil. Inscribed 'Renee Armbrush, 1900' [?] in pencil in lower right corner. An impression from the Surrealist VVV Portfolio, which was planned to be published in an edition of 50 however was only released in an edition of 20. Image size : 29.0 x 35.0 cm (11.42 x 13.78 in) Sheet size : 34.3 x 44.5 cm (13.5 x 17.52 in) £3,000 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1396349334085-RV2R306T6O55Y253B7N0/seligmann-13356.jpg Kurt Seligmann - Seligmann 'Untitled', from the portfolio "VVV" Kurt Seligmann (1900 - 1964) Untitled, from the portfolio "VVV" Etching, 1942 Signed and dated in pencil. Inscribed 'Renee Armbrush, 1900' [?] in pencil in lower right corner. An impression from the Surrealist VVV Portfolio, which was planned to be published in an edition of 50 however was only released in an edition of 20. Image size : 29.0 x 35.0 cm (11.42 x 13.78 in) Sheet size : 34.3 x 44.5 cm (13.5 x 17.52 in) £3,000 http://www.frederickmulder.com/donald-sultan daily 0.75 2015-09-07 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1422546757194-5Q478DTFMXYAW4X5G3J8/sultan-12987.jpg Donald Sultan - Sultan 'Cypresses' (black and brown over green) Donald Sultan (1951-present) Cypresses Linocut printed in colours, 1982 Not in Walker A working proof printed in black and brown over a green background. There are two clear trees in the subject and the illusion of three others that may have been obscured by the black ink having been thickly applied. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. "In the summer of 1982, Feldman succeeded in persuading Sultan to work on linoleum cuts with the printer Jaime Arnéra in Vallauris, France. Although the artist completed two portfolios, "Tramp Pictures - Cypresses and stacks" and "Tramp Pictures - Irises", the experience was fraught with difficulty. Arnéra wanted to carve the blocks from drawings, but Sultan insisted on carving the blocks himself in a highly unorthodox way. "Those prints worked out because I did what you're not supposed to do. I left the linoleum out in the sun and used to heat to soften it up. This turned out to be the perfect way to do it. If you get the linoleum soft enough, you can use a pencil on it, which I don't think anyone had ever done before. I was very happy with the prints finally." Extract from: Donald Sultan: A Print Retrospective, Walker, B. The American Federation of Arts, New York, 1992, pages 10-11. Image size : 64.9 x 50.3 cm (25.55 x 19.8 in) Sheet size : 75.0 x 62.0 cm (29.53 x 24.41 in) £1,250 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1422546757194-5Q478DTFMXYAW4X5G3J8/sultan-12987.jpg Donald Sultan - Sultan 'Cypresses' (black and brown over green) Donald Sultan (1951-present) Cypresses Linocut printed in colours, 1982 Not in Walker A working proof printed in black and brown over a green background. There are two clear trees in the subject and the illusion of three others that may have been obscured by the black ink having been thickly applied. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. "In the summer of 1982, Feldman succeeded in persuading Sultan to work on linoleum cuts with the printer Jaime Arnéra in Vallauris, France. Although the artist completed two portfolios, "Tramp Pictures - Cypresses and stacks" and "Tramp Pictures - Irises", the experience was fraught with difficulty. Arnéra wanted to carve the blocks from drawings, but Sultan insisted on carving the blocks himself in a highly unorthodox way. "Those prints worked out because I did what you're not supposed to do. I left the linoleum out in the sun and used to heat to soften it up. This turned out to be the perfect way to do it. If you get the linoleum soft enough, you can use a pencil on it, which I don't think anyone had ever done before. I was very happy with the prints finally." Extract from: Donald Sultan: A Print Retrospective, Walker, B. The American Federation of Arts, New York, 1992, pages 10-11. Image size : 64.9 x 50.3 cm (25.55 x 19.8 in) Sheet size : 75.0 x 62.0 cm (29.53 x 24.41 in) £1,250 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1422546774404-E487M32F90XIVHUUCPBE/sultan-12989.jpg Donald Sultan - Sultan 'Cypresses' ('blanc crème' and brown over a green) Donald Sultan (1951-present) Cypresses Linocut printed in colours, 1982 Not in Walker An experimental colour trial printed in 'blanc crème' and brown over a green background. The brown plate is slightly misregistered. The variant inking suggests this was an experimental working proof. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. "In the summer of 1982, Feldman succeeded in persuading Sultan to work on linoleum cuts with the printer Jaime Arnéra in Vallauris, France. Although the artist completed two portfolios, "Tramp Pictures - Cypresses and stacks" and "Tramp Pictures - Irises", the experience was fraught with difficulty. Arnéra wanted to carve the blocks from drawings, but Sultan insisted on carving the blocks himself in a highly unorthodox way. "Those prints worked out because I did what you're not supposed to do. I left the linoleum out in the sun and used to heat to soften it up. This turned out to be the perfect way to do it. If you get the linoleum soft enough, you can use a pencil on it, which I don't think anyone had ever done before. I was very happy with the prints finally." Extract from: Donald Sultan: A Print Retrospective, Walker, B. The American Federation of Arts, New York, 1992, pages 10-11. Image size : 65.2 x 50.4 cm (25.67 x 19.84 in) Sheet size : 75.0 x 62.0 cm (29.53 x 24.41 in) £1,250 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1422546812057-YFON6X5PLNREK9UU260W/sultan-12991.jpg Donald Sultan Donald Sultan (1951-present) Cypresses Linocut printed in colours, 1982 Not in Walker A working proof printed in 'blanc crème' and brown over a green background. The brown plate is slightly misregistered. This appears to be a colour trial as the variant inking suggests this was an experiment. The 'blanc crème' has been thinly applied allowing the brown ink to retain a darker cast. Stamped in ink on the verso: 'Imprimerie Arnéra Archives/ Non Signé'. Watermark: Arches. Provenance: Archives of Imprimerie Arnéra "In the summer of 1982, Feldman succeeded in persuading Sultan to work on linoleum cuts with the printer Jaime Arnéra in Vallauris, France. Although the artist completed two portfolios, "Tramp Pictures - Cypresses and stacks" and "Tramp Pictures - Irises", the experience was fraught with difficulty. Arnéra wanted to carve the blocks from drawings, but Sultan insisted on carving the blocks himself in a highly unorthodox way. "Those prints worked out because I did what you're not supposed to do. I left the linoleum out in the sun and used to heat to soften it up. This turned out to be the perfect way to do it. If you get the linoleum soft enough, you can use a pencil on it, which I don't think anyone had ever done before. I was very happy with the prints finally." Extract from: Donald Sultan: A Print Retrospective, Walker, B. The American Federation of Arts, New York, 1992, pages 10-11. Image Size : 64.8 x 49.9cm (25.5 x 19.6in) Sheet Size : 75 x 62cm (29.5 x 24.4in) £1,250 http://www.frederickmulder.com/giovanni-domenico-tiepolo daily 0.75 2014-08-11 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394734062667-L1X6YC4P05BH8G67I5A1/tiepolo-11487.jpg Giovanni Domenico Tiepolo - Giovanni Domenico Tiepolo 'Armida falls in love with Rinaldo' Giovanni Domenico Tiepolo (1727-1804) Armida falls in love with Rinaldo Etching, c. 1775 Rizzi 146, second state of two. Based on Giambattista Tiepolo's painting in the Art Institute of Chicago. Watermark: Indistinguishable Image size : 25.7 x 29.1 cm (10.12 x 11.46 in) Sheet size : 26.7 x 29.9 cm (10.51 x 11.77 in) https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394734062667-L1X6YC4P05BH8G67I5A1/tiepolo-11487.jpg Giovanni Domenico Tiepolo - Giovanni Domenico Tiepolo 'Armida falls in love with Rinaldo' Giovanni Domenico Tiepolo (1727-1804) Armida falls in love with Rinaldo Etching, c. 1775 Rizzi 146, second state of two. Based on Giambattista Tiepolo's painting in the Art Institute of Chicago. Watermark: Indistinguishable Image size : 25.7 x 29.1 cm (10.12 x 11.46 in) Sheet size : 26.7 x 29.9 cm (10.51 x 11.77 in) http://www.frederickmulder.com/jan-van-de-velde daily 0.75 2014-08-11 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1395151727185-6DR4BDPG81VZG83DZ0YL/van-de-velde-13407.jpg Jan van de Velde - Van de Velde 'Midday' Jan Van de Velde (1636 - 1672) Midday Franke and Van der Kellen 194, first state of two before the number. From the series 'Four Times of Day'. Image size : 8.9 x 16.2 cm (3.5 x 6.38 in) Sheet size : 8.9 x 16.2 cm (3.5 x 6.38 in) https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1395151727185-6DR4BDPG81VZG83DZ0YL/van-de-velde-13407.jpg Jan van de Velde - Van de Velde 'Midday' Jan Van de Velde (1636 - 1672) Midday Franke and Van der Kellen 194, first state of two before the number. From the series 'Four Times of Day'. Image size : 8.9 x 16.2 cm (3.5 x 6.38 in) Sheet size : 8.9 x 16.2 cm (3.5 x 6.38 in) http://www.frederickmulder.com/jacques-villon daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1417087357694-04ZX50NJZ494DN1WDAT1/villons-11405.jpg Jacques Villon Jacques Villon (1875-1963) La Parisienne, tournée à droite (première planche) Etching, softground etching and colour aquatint, 1902 Ginestet et Pouillon E 074 Our impression is similar to Ginestet and Pouillon's definitive state. Provenance Louis Carré (1897-1977), by descent. Louis Carré, who had galleries in both New York and Paris, was Villon's dealer for many years. Notes 'La Parisienne' is a pivotal work in Villon's career as it departs from the nineteenth century Belle Epoque toward a more modern, twentieth century aesthetic. The sitter for La Parisienne was Yvonne Rever-chon Bon, the sister of the artist Jacques Bon. Yvonne married the brother of Villon in 1903, shortly after Villon began to work on La Parisienne. Image size : 46.2 x 34 cm (18.2 x 13.4 in) Sheet size : 64 x 48.9 cm (25.2 x 19.25 in) £2,800 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1417087357694-04ZX50NJZ494DN1WDAT1/villons-11405.jpg Jacques Villon Jacques Villon (1875-1963) La Parisienne, tournée à droite (première planche) Etching, softground etching and colour aquatint, 1902 Ginestet et Pouillon E 074 Our impression is similar to Ginestet and Pouillon's definitive state. Provenance Louis Carré (1897-1977), by descent. Louis Carré, who had galleries in both New York and Paris, was Villon's dealer for many years. Notes 'La Parisienne' is a pivotal work in Villon's career as it departs from the nineteenth century Belle Epoque toward a more modern, twentieth century aesthetic. The sitter for La Parisienne was Yvonne Rever-chon Bon, the sister of the artist Jacques Bon. Yvonne married the brother of Villon in 1903, shortly after Villon began to work on La Parisienne. Image size : 46.2 x 34 cm (18.2 x 13.4 in) Sheet size : 64 x 48.9 cm (25.2 x 19.25 in) £2,800 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1394736852785-2IH1BX2D4VJKPJ0RQCDI/villon-11367.jpg Jacques Villon Jacques Villon (1875-1963) Pour un Projet sensationnel (d'abord appelé) le Secret Drypoint, 1904 Ginestet and Pouillon E 106 Ginestet and Pouillon's only described state (actually third state of three). A working proof before the edition of thirty. Signed in pencil and inscribed 'Essai'. Watermark : MB Provenance Louis Carré (1897-1977), by descent. Louis Carré, who had galleries in both New York and Paris, was Villon's dealer for many years. He organised one of the first major exhibitions of Villon's graphic works in Paris in 1954, and also exhibited Villon's paintings and drawings. He kept many fine working proofs, which passed into his estate. Note The sitters were Villon's sisters, Suzanne and Yvonne at the Tréport beach. Image size : 39.5 x 29.7 cm (15.55 x 11.69 in) Sheet size : 55 x 36 cm (21.65 x 14.17 in) £1,200 http://www.frederickmulder.com/larry-zox daily 0.75 2018-09-25 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1417090818083-8R7MWC651RX58BJGXI3A/zox-12960.jpg Larry Zox Larry Zox (1937-2006) Abstract Composition (Untitled) Various media, 1971 Signed in pencil. An interesting set of three sheets showing the development and realisation of this linocut subject. This set is comprised of a signed, early oil pastel drawing of the subject, a signed pencil drawing of the composition and an impression of the final state of the linocut. Note: Larry Zox, like other American artists including Wayne Thiebaud and John McLaughlin, travelled to Vallauris in order to work with Hidalgo Arnéra, famed for being the linocut printer with whom Picasso worked. Arnéra printed all of Picasso's postwar linocuts. £3,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1417090818083-8R7MWC651RX58BJGXI3A/zox-12960.jpg Larry Zox Larry Zox (1937-2006) Abstract Composition (Untitled) Various media, 1971 Signed in pencil. An interesting set of three sheets showing the development and realisation of this linocut subject. This set is comprised of a signed, early oil pastel drawing of the subject, a signed pencil drawing of the composition and an impression of the final state of the linocut. Note: Larry Zox, like other American artists including Wayne Thiebaud and John McLaughlin, travelled to Vallauris in order to work with Hidalgo Arnéra, famed for being the linocut printer with whom Picasso worked. Arnéra printed all of Picasso's postwar linocuts. £3,500 http://www.frederickmulder.com/hans-bellmer daily 0.75 2016-01-18 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1426767647573-A2NSZ8XW86IOMO0O67TU/image-asset.jpeg Hans Bellmer - Bellmer 'Ohne Titel' Hans Bellmer (1902-1975) Ohne Titel (Untitled) Gouache on card, circa 1954 Drawn in white, grey, and black gouache, on black card. Signed in white gouache lower right. Provenance: Julien Levy Exhibited: Pennsylvania, Palmer Museum of Art (and travelling in the USA), 'Accomodations of Desire: Surrealist Works on Paper Collected by Julien Levy', 2004-06, illustrated in the catalogue. Image Size : 33 x 25cm (13 x 9.8in) Sheet Size : 33 x 25cm (13 x 9.8in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1422547891040-ED4FWA1KMF00W5XTPYSG/bellmer-11660.jpg Hans Bellmer http://www.frederickmulder.com/alphonse-mucha daily 0.75 2015-06-16 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1434468975241-O9C93QTC009ZDS6M6XK2/F+Mulder+Ltd+-+Mucha+%27Portrait+of+a+Woman%27+-+email.jpg Alphonse Mucha - Mucha, 'Portrait of a Woman' Alphonse Mucha Portrait of a Woman Ink and charcoal This drawing was purchased from the heirs of C.G. Forrer, an artist and fabric designer in whose Paris atelier Mucha, De Feure, and other important artists of the late 19th century worked. Image Size : 31.5 x 33cm (12.4 x 13in) Price on Application https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1434468989972-BS05OTCHUQ425459Z889/F+Mulder+Ltd+-+Mucha+%27Portrait+of+a+Woman%27+-+email.jpg Alphonse Mucha http://www.frederickmulder.com/emil-nolde daily 0.75 2015-06-16 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1434470891615-R38635ZM3WO5CNWMV569/nolde-13795.jpg Emil Nolde https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1434471565257-KLUY2FROVBUMI1VZY5MT/nolde-13795.jpg Emil Nolde - Nolde, 'Fischdampfer' Emil Nolde (1867 - 1956) Fischdampfer Woodcut, 1910 Schiefler & Mosel 34, second state of two Signed in pencil. Our impression is from the edition of 11. Image Size : 30.2 x 39.7cm (11.9 x 15.6in) Sheet Size : 36 x 48cm (14.2 x 18.9in) Price on Application http://www.frederickmulder.com/peter-doig daily 0.75 2015-10-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1444148536234-MHMH0KPB8KPQG6OK9ZXZ/image-asset.jpeg Peter Doig - Doig, 'Untitled (Canoe)' Peter Doig (Born 1959) Untitled (Canoe) Aquatint printed in colours, 2008 Signed and numbered in pencil. From the edition of 500, published for the 2008 Doig retrospective at the Musée d'Art moderne de la Ville de Paris. Printed on wove paper. Note: The canoe is a subject that recurs in Doig's works and reflects the years the artist spent living in Canada. The colours in this impression are typically vibrant, rendering a dreamlike landscape populated by faceless figures. Image Size : 59.7 x 75cm (23.5 x 29.5in) Sheet Size : 59.7 x 75cm (23.5 x 29.5in) £2,000 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1444148536234-MHMH0KPB8KPQG6OK9ZXZ/image-asset.jpeg Peter Doig - Doig, 'Untitled (Canoe)' Peter Doig (Born 1959) Untitled (Canoe) Aquatint printed in colours, 2008 Signed and numbered in pencil. From the edition of 500, published for the 2008 Doig retrospective at the Musée d'Art moderne de la Ville de Paris. Printed on wove paper. Note: The canoe is a subject that recurs in Doig's works and reflects the years the artist spent living in Canada. The colours in this impression are typically vibrant, rendering a dreamlike landscape populated by faceless figures. Image Size : 59.7 x 75cm (23.5 x 29.5in) Sheet Size : 59.7 x 75cm (23.5 x 29.5in) £2,000 http://www.frederickmulder.com/rodolphe-bresdin daily 0.75 2015-10-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1444149751752-8DE3XRYFCU71Q8G7SMHH/image-asset.jpeg Rodolphe Bresdin - Bresdin 'Le Bon Samaritain' Rodolphe Bresdin (1822 - 1885) Le Bon Samaritain Lithograph, 1861 Van Gelder 100 A very early impression of the first issue of this subject; Becker's first state before the smudge on the knee of the carried monkey at the right and before the white bird. Impressions of this quality are of the utmost rarity. Bresdin's most important print, and one of the greatest masterpieces of nineteenth century printmaking. Image Size : 56.5 x 44.9cm (22.2 x 17.7in) Sheet Size : 74.6 x 59.7cm (29.4 x 23.5in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1444149839201-NMYXR0ADIF2EPDNTYF2M/bresdin-5128.jpg Rodolphe Bresdin http://www.frederickmulder.com/marc-chagall daily 0.75 2016-01-18 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1453117310639-G7Q826X7OB07GQSQW92Q/image-asset.jpeg Marc Chagall - Chagall 'Then the old woman mounted on the Ifrit's back..' Marc Chagall (1887-1985) Then the old woman mounted on the Ifrit's back, taking her daughter behind her, and the Ifrit flew off with them... from The Arabian Nights Lithograph, 1948 Mourlot 42 Signed and numbered in pencil by the artist. An impression from the edition of 90, and plate VII from 'The Arabian Nights' Provenance: Galerie Michael, USA Private Collection, Taiwan Note: Chagall was invited to America in 1941 by the Museum of Modern Art in New York. Whilst there he was persuaded by his friend the French publisher, Jacques Schiffrin, to produce a series of 12 colour lithographs, printed in seven to eight colours each, to illustrate four tales from 'The Arabian Nights'. Image Size : 37 x 27.8cm (14.6 x 10.9in) Sheet Size : 43 x 33cm (16.9 x 13in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1453117310639-G7Q826X7OB07GQSQW92Q/image-asset.jpeg Marc Chagall - Chagall 'Then the old woman mounted on the Ifrit's back..' Marc Chagall (1887-1985) Then the old woman mounted on the Ifrit's back, taking her daughter behind her, and the Ifrit flew off with them... from The Arabian Nights Lithograph, 1948 Mourlot 42 Signed and numbered in pencil by the artist. An impression from the edition of 90, and plate VII from 'The Arabian Nights' Provenance: Galerie Michael, USA Private Collection, Taiwan Note: Chagall was invited to America in 1941 by the Museum of Modern Art in New York. Whilst there he was persuaded by his friend the French publisher, Jacques Schiffrin, to produce a series of 12 colour lithographs, printed in seven to eight colours each, to illustrate four tales from 'The Arabian Nights'. Image Size : 37 x 27.8cm (14.6 x 10.9in) Sheet Size : 43 x 33cm (16.9 x 13in) POA http://www.frederickmulder.com/zasinger-master daily 0.75 2016-02-23 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1456223513939-04U6CK8HJ5EP23FIBTP2/image-asset.jpeg Matthäus Zasinger - Zasinger 'The Knight and the Lady on horseback' Zasinger, Matthäus (c. 1477-1525) The Knight and the Lady on horseback Engraving, c. 1500 Lehrs 1908-34 VIII.366.14; Bartsch VI.380.19 With the artist's monogram, 'MZ'. Image Size : 12.8 x 11.1cm (5 x 4.4in) £2,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1456223513939-04U6CK8HJ5EP23FIBTP2/image-asset.jpeg Matthäus Zasinger - Zasinger 'The Knight and the Lady on horseback' Zasinger, Matthäus (c. 1477-1525) The Knight and the Lady on horseback Engraving, c. 1500 Lehrs 1908-34 VIII.366.14; Bartsch VI.380.19 With the artist's monogram, 'MZ'. Image Size : 12.8 x 11.1cm (5 x 4.4in) £2,500 http://www.frederickmulder.com/patrick-caulfield daily 0.75 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1462980457795-DMUQHXZ8VUMOTEI5HQQB/Finch+-+Charlie.jpg Patrick Caulfield - Finch, 'Charlie' Peter Blake (Born 1932) Untitled Screenprint, 1997 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in seven colours on Fabriano Artistico 300gsm. Image Size : 38.5 x 52cm (15.2 x 20.5in) Sheet Size : 51 x 64cm (20.1 x 25.2in) https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479227255105-DVEQTF94JA6184HCFSO7/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Patrick+Caulfield+-+2+of+11.jpg Patrick Caulfield Patrick Caulfield (1936-2005) Freud's Smoke Screenprint, 1997 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in six colours on Saunders Waterford 300gsm. Image Size : 61 x 51cm (24 x 20.1in) Sheet Size : 61 x 51cm (24 x 20.1in) £800 http://www.frederickmulder.com/peter-blake daily 0.75 2016-12-13 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1475512388524-MXAPIJ2D2OX7634YH26D/Group+%232%2C+%233%2C+%235%2C+%237.jpg Peter Blake - McLaughlin 'Title #1 - Title #8' John McLaughlin (1898 - 1976) Title #1 - Title #8 Hand-prepared maquettes and linocuts printed in colours, 1973 Image Size : 46 x 30.2cm (18.1 x 11.9in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479226955197-29TL87INGYL6MIOF9RK7/F+4767+-+F+Mulder+Ltd+-+Peter+Blake+%27Untitled%27.jpg Peter Blake Peter Blake (Born 1932) Untitled Screenprint, 1997 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in seven colours on Fabriano Artistico 300gsm. Image Size : 38.5 x 52cm (15.2 x 20.5in) Sheet Size : 51 x 64cm (20.1 x 25.2in) £550 http://www.frederickmulder.com/cornelia-parker daily 0.75 2018-01-04 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479228597252-46AC245AGQYQ10ZTFXCN/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Cornelia+Parker+-+8+of+11+-+cropped.jpg Cornelia Parker Cornelia Parker (Born 1956) A Feather from Freud's Pillow Screenprint, 1997 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in 11 colours on Velin Arches Blanc 300gm. Image Size : 49.5 x 63cm (19.5 x 24.8in) Sheet Size : 49.5 x 63cm (19.5 x 24.8in) £300 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479228597252-46AC245AGQYQ10ZTFXCN/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Cornelia+Parker+-+8+of+11+-+cropped.jpg Cornelia Parker Cornelia Parker (Born 1956) A Feather from Freud's Pillow Screenprint, 1997 Signed, numbered, and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in 11 colours on Velin Arches Blanc 300gm. Image Size : 49.5 x 63cm (19.5 x 24.8in) Sheet Size : 49.5 x 63cm (19.5 x 24.8in) £300 http://www.frederickmulder.com/aegidius-sadeler-ii daily 0.75 2016-11-15 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479229734807-CSVIXMKP71PNCCZIXSKM/Aegidius+Sadeler+II+%27Hercules+Spinning+and+Omphale%27.jpg Aegidius Sadeler II Aegidius Sadeler II (1570 - 1629) Hercules spinning (on the left) and Omphale Engraving, c. 1600 Hollstein (Dutch & Flemish) 106, Vol. XXI-XXII; Wurzbach 68 After the Flemish painter, Bartholomeus Spranger (1546 - 1611). Image Size : 41.2 x 31.3cm (16.2 x 12.3in) Sheet Size : 47 x 34.7cm (18.5 x 13.7in) Note According to legend, Omphale was queen of the kingdom of Lydia in Asia Minor and widow of Timolus, the oak-clad mountain king who was gored to death by a bull. After his death she continued to reign on her own and, in her best-known myth, became the mistress of the hero Hercules who was sentenced to a year of servitude to her as punishment for murder. Over the centuries, this is a scenario that has offered writers and artists opportunities to explore erotic themes, inherently a comic inversion of gender roles of the period, with references to Hercules being forced to do women's work and even wear women's clothing. In Sadeler's engraving, Hercules is forced to hold a basket of wool while Omphale and her maidens do their spinning. Adding further salt to the wound, Omphale wears the skin of the Nemean Lion and carries Heracles' olive-wood club. After some time, Omphale freed Hercules and took him as her husband. Egidius Sadeler or Aegidius Sadeler was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. He was born in Antwerp in a Sadeler family of engravers. Impressions of this subject are held in museum collections around the world, including the Rijksmuseum in The Netherlands. £1,200 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479229734807-CSVIXMKP71PNCCZIXSKM/Aegidius+Sadeler+II+%27Hercules+Spinning+and+Omphale%27.jpg Aegidius Sadeler II Aegidius Sadeler II (1570 - 1629) Hercules spinning (on the left) and Omphale Engraving, c. 1600 Hollstein (Dutch & Flemish) 106, Vol. XXI-XXII; Wurzbach 68 After the Flemish painter, Bartholomeus Spranger (1546 - 1611). Image Size : 41.2 x 31.3cm (16.2 x 12.3in) Sheet Size : 47 x 34.7cm (18.5 x 13.7in) Note According to legend, Omphale was queen of the kingdom of Lydia in Asia Minor and widow of Timolus, the oak-clad mountain king who was gored to death by a bull. After his death she continued to reign on her own and, in her best-known myth, became the mistress of the hero Hercules who was sentenced to a year of servitude to her as punishment for murder. Over the centuries, this is a scenario that has offered writers and artists opportunities to explore erotic themes, inherently a comic inversion of gender roles of the period, with references to Hercules being forced to do women's work and even wear women's clothing. In Sadeler's engraving, Hercules is forced to hold a basket of wool while Omphale and her maidens do their spinning. Adding further salt to the wound, Omphale wears the skin of the Nemean Lion and carries Heracles' olive-wood club. After some time, Omphale freed Hercules and took him as her husband. Egidius Sadeler or Aegidius Sadeler was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. He was born in Antwerp in a Sadeler family of engravers. Impressions of this subject are held in museum collections around the world, including the Rijksmuseum in The Netherlands. £1,200 http://www.frederickmulder.com/alison-watt daily 0.75 2018-09-25 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515769240925-O5V3KN42IGDN8451SLNO/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Alison+Watt+-+9+of+11.jpg Alison Watt Alison Watt (Born 1965) Untitled Screenprint, 1997 Signed, numbered and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in six colours on Velin Arches Blanc 300gsm. Image size : 51 x 41 cm (20.1 x 16.1 in) Sheet size : 64 x 51.5 cm (25.2 x 20.3 in) £200 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515769240925-O5V3KN42IGDN8451SLNO/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Alison+Watt+-+9+of+11.jpg Alison Watt Alison Watt (Born 1965) Untitled Screenprint, 1997 Signed, numbered and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in six colours on Velin Arches Blanc 300gsm. Image size : 51 x 41 cm (20.1 x 16.1 in) Sheet size : 64 x 51.5 cm (25.2 x 20.3 in) £200 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1479230271167-C1HUXBFZH93DK1WG6JGH/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Alison+Watt+-+9+of+11.jpg Alison Watt Alison Watt (Born 1965) Untitled Screenprint, 1997 Signed, numbered and dated in pencil. An original screenprint from 'The Freud Museum 10th Anniversary Portfolio', an edition of 100, published in London in 1997 and printed by Gresham Studio Ltd, Cambridge. The publication was supported by the New-Land Foundation of New York. Printed in six colours on Velin Arches Blanc 300gsm. Image Size : 51 x 41cm (20.1 x 16.1in) Sheet Size : 64 x 51.5cm (25.2 x 20.3in) £200 http://www.frederickmulder.com/galleryfr daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651839108614-9XSVZCN2PUOMP0HMCJU0/F+4849-2+-+F+Mulder+Ltd+-+Rops+%27Un+Monsieur+et+une+Dame%27.jpg FR https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651839108614-9XSVZCN2PUOMP0HMCJU0/F+4849-2+-+F+Mulder+Ltd+-+Rops+%27Un+Monsieur+et+une+Dame%27.jpg FR http://www.frederickmulder.com/astrid-meyer1 daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651840854678-HOJL3DUVXL790ZAQGTK3/F+13483+-+F+Mulder+Ltd+-+Meyer+%27Fishwives%27.jpg Astrid Meyer https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651840854678-HOJL3DUVXL790ZAQGTK3/F+13483+-+F+Mulder+Ltd+-+Meyer+%27Fishwives%27.jpg Astrid Meyer http://www.frederickmulder.com/larry-zox-1 daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651841124868-IOY660AYDOV672YYPGBV/F+12959-3.jpg+-+tidied.jpg Larry Zox Larry Zox (1937-2006) Abstract Composition (Untitled) Various media, 1971 Signed in pencil. An interesting set of three sheets showing the development and realisation of this linocut subject. This set is comprised of a signed, early oil pastel drawing of the subject, a signed pencil drawing of the composition and an impression of the final state of the linocut.Note:Larry Zox, like other American artists including Wayne Thiebaud and John McLaughlin, travelled to Vallauris in order to work with Hidalgo Arnéra, famed for being the linocut printer with whom Picasso worked. Arnéra printed all of Picasso's postwar linocuts. £3,500 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651841124868-IOY660AYDOV672YYPGBV/F+12959-3.jpg+-+tidied.jpg Larry Zox Larry Zox (1937-2006) Abstract Composition (Untitled) Various media, 1971 Signed in pencil. An interesting set of three sheets showing the development and realisation of this linocut subject. This set is comprised of a signed, early oil pastel drawing of the subject, a signed pencil drawing of the composition and an impression of the final state of the linocut.Note:Larry Zox, like other American artists including Wayne Thiebaud and John McLaughlin, travelled to Vallauris in order to work with Hidalgo Arnéra, famed for being the linocut printer with whom Picasso worked. Arnéra printed all of Picasso's postwar linocuts. £3,500 http://www.frederickmulder.com/bernard-boutet-de-monvel daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651841790213-7E2YKGF91B1JFFTYAV5L/F13481+-+F+Mulder+Ltd+-+Boutet+de+Monvel+%27Couple+looking+at+the+Moon%27.jpg Bernard Boutet de Monvel Bernard Boutet de Monvel (1855-1913) Couple looking at the Moon Inscribed and numbered in pencil, "tiré à 60 - 27" and signed in pencil, "BERNARD B. DE MONVEL". Image size : 17.7 x 19.9 cm (6.97 x 7.83 in) Sheet size : 19.0 x 21.0 cm (7.48 x 8.27 in) £600 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651841790213-7E2YKGF91B1JFFTYAV5L/F13481+-+F+Mulder+Ltd+-+Boutet+de+Monvel+%27Couple+looking+at+the+Moon%27.jpg Bernard Boutet de Monvel Bernard Boutet de Monvel (1855-1913) Couple looking at the Moon Inscribed and numbered in pencil, "tiré à 60 - 27" and signed in pencil, "BERNARD B. DE MONVEL". Image size : 17.7 x 19.9 cm (6.97 x 7.83 in) Sheet size : 19.0 x 21.0 cm (7.48 x 8.27 in) £600 http://www.frederickmulder.com/john-baldessari daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664798380904-VMSK8M9XSPLB20LAXBQ0/14062.jpg John Baldessari https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664798050564-NXJYZXHD05X2Y2XVZ3B8/image-asset.jpeg John Baldessari John Baldessari (1931-2020) Cliche: North American Indian (Red) Lithograph and screenprint printed in colours, 1995 Signed in pencil. Numbered '20/50' in pencil; there were also 12 artist's proofs. Printed on Coventry Smooth paper, and published by Cirrus Editions, Los Angeles. Image Size: 88.8cm x 90.8cm (35 inch x 35.8 inch) Sheet Size: 101.5cm x 99.2cm (40 inch x 39.1 inch) Provenance Cirrus, Publishers of Fine Art Graphics, Los Angeles, U.S.A. Private Collection, U.K. (bought from above in August 1995) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664798130992-GBVFFX5SN9KXM2HDENVQ/image-asset.jpeg John Baldessari John Baldessari (1931-2020) Cliche: Eskimo (Blue) Lithograph and screenprint printed in colours, 1995 Signed in pencil. Numbered '20/50' in pencil; there were also 12 artist's proofs. Printed on Coventry Smooth paper, and published by Cirrus Editions, Los Angeles. Image Size: 88.8cm x 90.8cm (35 inch x 35.8 inch) Sheet Size: 99.2cm x 101.5cm (39.1 inch x 40 inch) Provenance Cirrus, Publishers of Fine Art Graphics, Los Angeles, U.S.A. Private Collection, U.K. (bought from above in August 1995) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664798851975-B7OBVXH5XZN021TXRXDQ/image-asset.jpeg John Baldessari John Baldessari (1931-2020) Cliche: Japanese (Yellow) Lithograph and screenprint printed in colours, 1995 Signed in pencil. Numbered '20/50' in pencil; there were also 12 artist's proofs. Printed on Coventry Smooth paper, and published by Cirrus Editions, Los Angeles. Image Size: 88.8cm x 90.8cm (35 inch x 35.8 inch) Sheet Size: 101.5cm x 99.2cm (40 inch x 39.1 inch) Provenance Cirrus, Publishers of Fine Art Graphics, Los Angeles, U.S.A. Private Collection, U.K. (bought from above in August 1995) POA http://www.frederickmulder.com/richard-mclean daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664799674243-VC7X0MUAFJD89OREECZU/14064.jpg Richard McLean https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664799855263-CG0O012NQUPO5NJR9YBZ/14064.jpg Richard McLean Richard McLean (b. 1934) ‘Greentree’s Sloe Gin’ from ‘Documenta: The Super Realists’ Lithograph printed in black, 1972 Signed numbered '214/300' in pencil. Numbered '214/300' in pencil. With the embossed stamp 'BSA', and published by Shorewood Atelier, New York, NY. Included in a portfolio of 10 lithograph by ten super-realists that was commissioned by Documenta in Kassel, Germany, 1972 Image Size: 55.6cm x 75.1cm (21.89 inch x 29.57 inch) Sheet Size: 60.1cm x 78.4cm (23.66 inch x 30.87 inch) Provenance Private Collection, U.K. POA http://www.frederickmulder.com/edward-kienholz daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664800170077-8ZD3QH3WS4S2AAKWOAP8/14052.jpg Edward Kienholz https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664800335861-SQ4ZZWFEQ2RBUH7N6CJE/14052.jpg Edward Kienholz Edward Kienholz (1927-1994) For $256.00 Watercolour over stamping ink with fingerprint on cardboard, 1972 Signed in pencil. In its original, artist's metal constructed frame. Provenance Jack Rutberg Fine Arts Inc., U.S.A. Private Collection, U.K. (bought from above in September 1994) POA http://www.frederickmulder.com/stephen-chambers daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664801921722-3MOHM0LNC52NWZPOZPOF/14072.jpg Stephen Chambers https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664801965665-U38U94YTN4WVN6GCRAUY/14071.jpg Stephen Chambers Stephen Chambers (b.1960) The Occupants Etchings printed in colours, 2017 A complete set from the edition of 30. Signed in pencil. Numbered 'A/P 1/3' in pencil. Printed and published by Paupers Press. Sheet Size: 22.2 inch x 29.9 inch Provenance Stephen Chambers Studio POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664802131171-J1PVFNXHF4CII48EQBAI/14072.jpg Stephen Chambers Stephen Chambers (b. 1960) I Bite & Sting... (and You’d Better Believe it) Etchings printed in colours, 2020 A complete set from the edition of 25. Signed in pencil. Numbered '14/25' in pencil. Printed by Nutmeg Editions and published by the artist. Image Size: 28cm x 29.5cm (11 inch x 11.6 inch) Provenance Stephen Chambers Studio POA http://www.frederickmulder.com/christo-and-jeanneclaude daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664802903590-QS87NLL9FF1ZF2U0DQ7L/14058.jpg Christo and Jeanne-Claude https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664803743124-3ROGG0JXNNZEHQ8S9VK1/14059.jpg Christo and Jeanne-Claude Christo and Jeanne-Claude (1935-2009/2020) Wrapped Monument to Leonardo Photolithograph with collage of fabric and thread, 1971 Signed in pencil. Numbered '46/99' in pencil, and titled in the plate 'Wrapped Monument to Leonardo (Project for Piazza della Scala, Milano)'. Published by Edition 999, Zurich, and printed on wove paper by Rives Couronnes mounted on cardboard. Image Size: 68.5 cm x 55.4 cm (26.97 inch x 21.81 inch) Sheet Size: 74.6 cm x 55.4 cm (29.37 inch x 21.81 inch) Provenance Private Collection, U.K. POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664802811289-DOXP2PW4TFBTLVXDBQXZ/14059.jpg Christo and Jeanne-Claude Christo and Jeanne-Claude (1935-2009/2020) Wrapped Monument to Leonardo Lithograph printed in colours, 1971 Signed in pencil. Numbered '895/999', and titled in the plate 'Wrapped Monument to Leonardo (project for piazza della scala, Milano)' Image Size: 68.4 cm x 55.4 cm (26.93 inch x 21.81 inch) Sheet Size: 74.5 cm x 55.4 cm (29.33 inch x 21.81 inch) Provenance Private Collection, U.K. POA http://www.frederickmulder.com/robert-indiana daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664807077746-F1SOIMBIMIPCS513L9QT/14066-1.jpg Robert Indiana https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664807224906-8OHJCAF03INZFUQPZK66/14066.jpg Robert Indiana Robert Indiana (1928-2018) American Dreams no. 5 (The Golden Five) Screenprints printed in colours, 1980 Sheehan 113 The complete set of five screenprints in colours, All five impressions numbered /100; there were forty artist's proof sets. Printed on Fabriano wove paper, and co-published by Prestige Art Ltd, New York, and Edition Domberger, Stuttgart, with their blinstamp. Image Size: 61.0 cm x 61.0 cm (24.02 inch x 24.02 inch) Provenance Curwen Gallery, London, U.K. Private Collection, UK (bought from above in January 1992) POA http://www.frederickmulder.com/anthony-gross daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664807515783-AFASWUGVQXGK1NV0TI9I/14074.jpg Anthony Gross https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664807588632-Y7VYCT7AA7SZ7V6N37A3/14074.jpg Anthony Gross Anthony Gross (1905-1984) Village Musicians Charivari Etching, 1960 Signed in pencil. Inscribed 'Village Musicians Charivari' and, numbered '28/50', in pencil Image Size: 40 cm x 46.0 cm (15.75 inch x 18.11 inch) Provenance Private Collection, U.K. POA http://www.frederickmulder.com/robert-ryman daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664808052254-1VW5972POD5Y8D1A510W/14053.jpg Robert Ryman https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664808076548-VITJQKZSG3OXFAIQOYFQ/14053.jpg Robert Ryman Robert Ryman (1930-2019) ‘Four Aquatints and One Etching’ Aquatint, 1991 Signed in pencil accross the image. Numbered '33/80', and with an upward arrow upper margin, in pencil. From the portfolio 'Four Aquatints and One Etching' published by Parasol Press, New York. Image Sheet: 77.2 cm x 78.2 cm (30.39 inch x 30.79 inch) Provenance Victoria Miro gallery, London, U.K. Private Collection, U.K. (bought from above in April 1994) POA http://www.frederickmulder.com/terry-winters daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664809170518-KZ3FZDBEGNJ810NBWD2W/14069.jpg Terry Winters https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664809247701-OWUNRAIMAG8QTYEF5664/14069.jpg Terry Winters Terry Winters (b. 1940) Field Notes #20 Etching, 1992 Signed in pencil. Numbered '20/75' in pencil, and inscribed '20' in pencil on verso. Sheet Size: 21.2 cm x 17.0 cm (8.35 inch x 6.69 inch) Image Size: 32.6 cm x 25.1 cm (12.83 inch x 9.88 inch) Provenance Bobbie Greenfield Fine Art, Inc., U.S.A. Private Collection, U.K. (bought from above in August 1994) POA http://www.frederickmulder.com/frank-stella daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664809511295-ENVV1RFRCFY9CEBJPPFF/14057.jpg Frank Stella https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1664809666400-3ZHRQ06EHOFXSWXNWOBK/14057.jpg Frank Stella Frank Stella (b. 1936) ‘Ambergris’ from ‘Moby Dick Deckle Edges Series’ Lithograph, etching, aquatint, relief, engraving and silkscreen printed in colours, 1993 Axsom 217 Signed in black felt pen. Numbered '13/32' and dated '93 in black felt pen. Image Size: 130.8 cm x 138.5 cm (40.87 inch x 54.53 inch) Provenance Bobbie Greenfield Fine Art, Inc., Venice, CA, U.S.A. Private Collection, U.K. (bought from above in January 1994) POA http://www.frederickmulder.com/alberto-magnelli-1 daily 0.75 2024-07-26 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722007312942-PCADVLJHJAQD924IYQTT/F+14129+-+F+Mulder+Ltd+-+Magnelli+%27La+Magnanerie+de+la+Ferrage%2C+Plate+IV%27.jpeg Alberto Magnelli Alberto Magnelli (1888-1971) La Magnanerie de la Ferrage, Plate IV Linocut printed in colours, 1970 Bibliothèque Nationale 66; Abadie 55-4 An 'épreuve d'essai' printed on Japon nacré from outside the edition of 30 in colour on this paper. A very fine impression with fresh colours and full margins - all margins with deckled edges. With soft handling creases in the margins and with a tiny area of skimmed paper in the left margim; otherwise in good condition. Provenance Archives Imprimerie Arnéra Image Size: 50.0 x 34.8 cm (19.69 x 13.7 in) Sheet Size: 66.6 x 50.8 cm (26.22 x 20.0 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722007312942-PCADVLJHJAQD924IYQTT/F+14129+-+F+Mulder+Ltd+-+Magnelli+%27La+Magnanerie+de+la+Ferrage%2C+Plate+IV%27.jpeg Alberto Magnelli Alberto Magnelli (1888-1971) La Magnanerie de la Ferrage, Plate IV Linocut printed in colours, 1970 Bibliothèque Nationale 66; Abadie 55-4 An 'épreuve d'essai' printed on Japon nacré from outside the edition of 30 in colour on this paper. A very fine impression with fresh colours and full margins - all margins with deckled edges. With soft handling creases in the margins and with a tiny area of skimmed paper in the left margim; otherwise in good condition. Provenance Archives Imprimerie Arnéra Image Size: 50.0 x 34.8 cm (19.69 x 13.7 in) Sheet Size: 66.6 x 50.8 cm (26.22 x 20.0 in) POA https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1722007020454-IS7R60BDRYA3Q8YROSPD/image-asset.jpeg Alberto Magnelli Alberto Magnelli (1888-1971) Untitled Linocut printed in colour, 1969 Bibliothèque Nationale 47; Abadie 46 One of twenty 'épreuves d'artiste' recorded by Abadie. There was no edition of this subject. A very fine impression with fresh colours and large margins all around - two with deckle edge. With soft, vertical handling crease in each upper corner and with s slight skimming on the lower left corner and discolouration throughout from foxing; otherwise in good condition. Provenance Archives Imprimerie Arnéra Image Size: 33.0 x 26.0 cm (12.99 x 10.24 in) Sheet Size: 64.5 x 44.8 cm (25.39 x 17.64 in) POA http://www.frederickmulder.com/our-impact-mojave daily 0.75 2025-05-09 https://images.squarespace-cdn.com/content/v1/56e049e08a65e26059119cd5/1459879174445-MIOY5PULB1XAW864NVA8/img-06.jpg Our Impact https://images.squarespace-cdn.com/content/v1/56e049e08a65e26059119cd5/1462307933447-M3RK3DCCA0RXY4BTQXOZ/img-05.jpg Our Impact https://images.squarespace-cdn.com/content/v1/56e049e08a65e26059119cd5/1458581832673-UZTVQK3KYBRBZJEV2TA9/EmptyName-13.jpg Our Impact https://images.squarespace-cdn.com/content/v1/56e049e08a65e26059119cd5/1459870151243-UM5MND5R89JE6VXSI8T1/img-07.jpg Our Impact http://www.frederickmulder.com/about daily 0.75 2020-12-16 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1504978472223-MHELZU3P6SF9WFD6YME7/AF+-+Heather+3.jpg About https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1447940064241-15HLQLS15I1WG379NGGC/image-asset.jpeg About https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1403188649856-IMAKJVS95ZNXPRIIZA1Y/FM.jpg About https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1447940002532-0FGL3T03IYVUVM0AN9PG/image-asset.jpeg About http://www.frederickmulder.com/contact daily 0.75 2017-11-21 http://www.frederickmulder.com/all-artists-q-z daily 0.75 2018-03-05 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1520248906300-BW39IFMB8HCYP0JOMPSR/F+11405+-+F+Mulder+Ltd+-+Villon+%27La+Parisienne%2C+tourn%C3%A9e+%C3%A0+droite%27.jpg ALL ARTISTS Q-Z VILLON https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515155500701-2ZHH7TN29873C5W0LIIC/F+13282+-+Verdet+-+Composition.jpg ALL ARTISTS Q-Z VERDET https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1520249714451-5FPA6WV5XVLRPJAEZD0B/F+4767+-+Freud+Museum+10th+Anniversary+Portfolio+-+Paul+Wunderlich+-+10+of+11.jpg ALL ARTISTS Q-Z WUNDERLICH https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515153893861-SM4U6O7FJD2PYUU2LMFU/8+-+Fleurs+du+Mal-+Paysage+a+Catour.JPG ALL ARTISTS Q-Z ROUAULT https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1520249355998-JDBP1BXGG51K9SY2PMU1/13894.jpg ALL ARTISTS Q-Z WATT https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1515156872969-KAN0VTJPDW9930OXSDTL/Rops4849.JPG ALL ARTISTS Q-Z ROPS https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1520249865111-KWOM9R1E7JI2SGZUVJ4M/F+Mulder+Ltd+-+Zox+%27Abstract+Composition+%28Untitled%29%27+F12960.jpg ALL ARTISTS Q-Z ZOX https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1519903848235-9VPYOOX0S6MRUE54E836/9+-+Fleurs+du+Mal-+Christ+%28de+face%29+%28HF%29.jpg ALL ARTISTS Q-Z http://www.frederickmulder.com/highlight-matisse-cut-outs daily 0.75 2015-12-17 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1450372519495-573064M4C992MRE7JS1F/F+Mulder+Ltd+-+Matisse+cut-outs+-+Installation+Shot.jpg Highlight: Matisse Cut-Outs - Installation Shot https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1450373338160-IR5CQRAKRZ753AKZ2Q3Q/matisse-apollinaire.jpg Highlight: Matisse Cut-Outs Henri Matisse (1869 - 1954) Maquette for the cover of the slipcase of the book 'Apollinaire' by André Rouveyre Gouache on paper, cut and pasted, 1951-52   Exhibited 'Henri Matisse: The Cut-Outs', Tate Modern, London, 17 April- 7 September 2014, illustrated p 191. 'Henri Matisse: The Cut-Outs', Museum of Modern Art, New York, 12 October 2014 - 10 February 2015. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1450372823475-FFJPQROW2J35UED4N8HO/F+Mulder+Ltd+-+Matisse+%27Maquette+for+the+1954+Berggruen+Catalogue+%27Henri+Matisse+Lithographies+Rares%27%27+-+EDITED.jpg Highlight: Matisse Cut-Outs Henri Matisse (1869 - 1954) Maquette for the 1954 Berggruen catalogue 'Henri Matisse: Lithographies Rares' Gouache on paper, cut and pasted, 1954   Exhibited Patrice Deparpe, 'Matisse. La couleur découpée. Une donation révélation', Musée Matisse Le Cateau-Cambrésis, Le Cateau-Cambrésis, 9 March - 9 June 2013, cover of the exhibition catalogue. 'Henri Matisse: The Cut-Outs', Tate Modern, London, 17 April- 7 September 2014, illustrated p 191. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1450373332629-ZUBOFVXU68W5UAB6X6JZ/matisse-apollinaire-back.jpg Highlight: Matisse Cut-Outs Henri Matisse (1869 - 1954) Maquette for the back cover of the book 'Apollinaire' by André Rouveyre Gouache on paper, cut and pasted, 1951-52 http://www.frederickmulder.com/about2 daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/9da52567-7f06-4c0b-b008-9c61cc29f1d8/Speakrs+500+logo.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/cb2dd5e2-470b-457e-8b76-8ead762a91c0/IFPDA+Logo.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.frederickmulder.com/our-team-mojave daily 0.75 2024-06-03 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/2593f45e-d355-4675-8e1d-c5d908ffaccb/AF+headshot.jpg Our Team https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/d1f02bcb-d5cc-471f-b137-caefaad5d935/Fred+%2330+%28web%29.jpg Our Team http://www.frederickmulder.com/art-fairs daily 0.75 2022-08-12 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1c254524-6138-41fc-a866-a7ecc6318526/PPF+IG+post.jpg Art Fairs https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/6c10c46f-f2bf-449b-937b-4560d29cc87d/IFPDA.jpg Art Fairs - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/5d7395dc-f1b5-4be6-9b57-cb6a92583b8b/LOPF+portrait+banner.jpg Art Fairs http://www.frederickmulder.com/new-page daily 0.75 2022-05-06 http://www.frederickmulder.com/fr2 daily 0.75 2022-05-06 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1651839288875-NJT6F4Q4WOP98DLHODVK/F+4849-2+-+F+Mulder+Ltd+-+Rops+%27Un+Monsieur+et+une+Dame%27.jpg FR2 Félicien Rops (1833 - 1898) Un Monsieur et une Dame Lithograph, 1891 Exsteens 164; Ramiro 836. Impression on chine appliqué, with letters. A rare, early Rops. Note The male figure is a portrait of Aurélien Scholl, the writer and critic. Image size : 41 x 31 cm (16.14 x 12.2 in) Sheet size : 63.5 x 49.5 cm (25 x 19.49 in) £2,800 http://www.frederickmulder.com/home daily 1.0 2024-07-26 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/48759abf-2479-41a3-be7d-b36a283436ee/F+13989+-+F+Mulder+Ltd+-+Picasso+%27Picador+et+Torero+attendant+le+Paseo+de+Cuadrillas%27.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.frederickmulder.com/about1 daily 0.75 2025-02-14 https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/92b33965-6d2b-46b4-9572-086b526c8e2c/SLAD_LogoStrap.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/4c9740f3-8645-415d-b477-e2f6c5359b27/IFPDAMemberLogo_stacked_transparentlarge.png About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/b97b7374-27c7-4061-995a-66561c2481b9/logo-CSEDT-300x252.png About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/df5ac5a1-295c-4702-9ee4-7590cb0b2314/spear%27s+500.png About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/530f1e9ae4b04fb5b2ce9944/1652185605778-1VD7TIQ4D1P9S90LFACU/F+14010+-F+Mulder+Ltd+-+Picasso+%27Portrait+de+Jeune+Fille+d%27apr%C3%A8s+Cranach+le+Jeune.+II+-+final+state%27.jpg About